A Quote by Friedrich Nietzsche
Verily, I do not want to be like the ropemakers: They drag out their threads and always walk backwards.
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I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
The chief difference between horror fans and science fiction fans lies in why they won't walk backwards. A horror fan won't walk backwards because he knows he'll be knifed by a madman. A science fiction fan won't walk backwards because he knows he'll step on the cat.
I always [or "often"] walk slowly, but I never walk backwards.
I think our lives are connected by threads. We're weaving our own quilts as we go along and it has been my experience that there are so many threads that connect people. Invisible threads, strong threads, sparkling threads, but I think there is so much interconnectivity between people and I acknowledge that and I see it all the time. I think some of that is divine.
When I first came out, I thought, I want to walk like a real woman, I don't want to do mincing steps. And there was some girl I saw walking up Holloway Road in Islington who had this long languid walk and I thought, that's what I like, so I incorporated her walk into mine.
It's always been that I feel more masculine in drag than I do out of it. I only get called 'ma'am' out of drag and I only get called 'sir' in drag.
In my early career I was sort of anti-drag. I said, 'Drag is dumb and boring, and I want to be an effing weirdo and go crazy and rebel.' But now it's like I've come to respect and understand how deep and traditional drag as an art form is.
On quiet nights, when I'm alone, I like to run our wedding video backwards, just to watch myself walk out of the church a free man.
At first it was like, 'I don't want to date no drag queen.' I guess it's considered taboo and funny. I always have to set my friends straight and say, 'We're two gay men, and that is why we're attracted to each other.' We don't kiss in drag usually, it messes up our lipstick. Sometimes I'll try, and she'll be like, 'Get away from me.'
Let's be honest: I don't want to walk out to boos. I always want to be cheered, like anyone, and I've been very lucky over the years to have a lot of support. Coming to America, I'm always the away guy, and so people thought their guy had to take me out, and they boo.
It was like I have always had big dreams for my drag aspirations, and I talked myself into doing 'Drag Race.' I'm like, take a chance.
Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist. A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation.
The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
Drag really isn't just about exaggerating and celebrating femininity. Some drag queens want to look like monsters, some drag queens want to look like hot dogs. Really what it is is just dipping your toes in all the swimming pools of identity and allowing yourself. Because society really tries to compartmentalize humans in a certain way.
Drag is more like a license to be what you want. But you don't need drag to do that.
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