A Quote by Friedrich Nietzsche
Character is determined more by the lack of certain experiences than by those one has had.
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We are not determined by our experiences, but are self-determined by the meaning we give to them; and when we take particular experiences as the basis for our future life, we are almost certain to be misguided to some degree. Meanings are not determined by situations. We determine ourselves by the meanings we ascribe to situations.
Our behaviour as an athlete is often determined by our previous experiences and how we dealt with those experiences. It is these experiences from past performances that can often shape what will happen in the future. It is for this reason that you learn and move on to be more mentally stronger as both an athlete and as a human!
The person in peak-experiences feels himself, more than other times, to be the responsible, active, creating center of his activities and of his perceptions. He feels more like a prime-mover, more self-determined (rather than caused, determined, helpless, dependent, passive, weak, bossed). He feels himself to be his own boss, fully responsible, fully volitional, with more "free-will" than at other times, master of his fate, an agent.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.
I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor
I've had a lot of seedy side jobs. I've done it all. I've worked retail at the mall, just tons of side jobs, which I think are amazing for actors. I think everyone should have one! It helps you get more experiences, and the more experiences you have, the more you can channel into a character.
The 'phenomenal concept' issue is rather different, I think. Here the question is whether there are concepts of experiences that are made available to subjects solely in virtue of their having had those experiences themselves. Is there a way of thinking about seeing something red, say, that you get from having had those experiences, and so isn't available to a blind person?
As an actor, you're afforded these experiences that are once-in-a-lifetime for so many people. More often than not, you can't tell the seasons based on the changing of the leaves, but on the experiences you've had.
Goodness was more difficult than evil. Evil men knew that more than good men. That's why they became evil. That's why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.
Writing a novel is like an amusement park or a museum or a city. You go into that place and you have certain experiences and those experiences, hopefully, have some impact on you.
It is easier to speak to those who have had similar experiences than to those who are as yet ignorant.
I believe life experiences are what an actor needs to relate to the character roles they take on, and to say the least, I've had many experiences leading up to this moment. Not only have my experiences become a tremendous asset in my acting, but also they helped me discover who I am and who I want to be.
I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.
I have dated and have had sex with men and women and have to say that the relationships I have had with certain women have been much more fulfilling, sexually and emotionally, than of those with certain men. I connect with an aura, with energy. And if the person with whom I connect happens to be a female, that's just the way it is. That's what makes my wheels turn.
People buy a game because they like the game and they want to play the game. And there are certain characters in games that people like, obviously. I don't know if a certain character's voice or lack of a certain character's voice can cause somebody to buy or not buy a game.
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