A Quote by Friedrich Wilhelm Joseph Schelling

Since it [architecture] is music in space, as it were a frozen music. — © Friedrich Wilhelm Joseph Schelling
Since it [architecture] is music in space, as it were a frozen music.
If architecture is frozen music then music must be liquid architecture.
Allow the information to tell you how it wants to be displayed. As architecture is ‘frozen music’, information architecture is ‘frozen conversation’. Any good conversation is based on understanding.
Music is liquid architecture; Architecture is frozen music.
If music is frozen architecture, then the potpourri is frozen coffee-table gossip... Potpourri is the art of adding apples to pears.
I call architecture frozen music.
Architecture in general is frozen music.
Architecture may be frozen music, but it melts.
I have found among my papers a sheet . . . in which I call architecture frozen music.
Madam de Stael pronounced architecture to be frozen music; so is statuary crystalized spirituality.
Architecture is frozen music. [Ger., Die Backunst ist eine erstarrte Musik.]
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
I have found a paper of mine among some others in which I call architecture 'petrified music.' Really there is something in this; the tone of mind produced by architecture approaches the effect of music.
Since I loved underground music, I tried to carve a space for feminism within it. Those were my hopes.
Negro music has touched America because it is the melody of the soul joined with the rhythm of the machine. It is in two part time; tears in the heart; movement of the legs, torso arms and head. The music of the era of construction; innovating. It floods the body and heart; it floods the USA and its floods the world. The jazz is more advanced than the architecture. If architecture were at the point reached by jazz, it would be an incredible spectacle.
The dance is the mother of the arts. Music and poetry exist in time; painting and architecture in space. But the dance lives at once in time and space.
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