A Quote by Frits Zernike
Phase contrast was not discovered while working with a microscope, but in a different part of optics.
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On April 8, 1982, I was alone in the electron microscope room when I discovered the Icosahedral Phase that opened the field of quasi-periodic crystals.
It used to kind of upset me when I'd be working on a part in my hotel room, and I'd get an idea for a song and find myself on the guitar for an hour when I should be working on my lines. But I've discovered that when I start to shake up my creativity it wants to be expressed in all kinds of different ways. They all kind of inform each other.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
To keep people interested, your presentation needs to have contrast. As humans we process contrast. We are assessing "what's the same," "what's different," "what's like me," "what's not like me." Humans stay interested if they can process contrast. Varying types of contrast can be used. With content, you can contrast between what is and what could be or between your perspective and alternative perspectives.
I think everybody's got different methods of working which suit the particular individual. Mine is to sort of play the part, and give 100%, to concentrate and focus on it while I'm actually working, but then leave it behind until the next day.
There's this phase in the middle of the process where there's still the potential that this will be great, but it's not a blank sheet of paper anymore, and that phase is always my favorite part and the part that I tend to want to stretch out and spend as much time in as possible.
It's great we have a female Thor. It's great we have a black Captain America. But those are just optics; it's optics of change... Unless you have the structural diversity, the structural change behind the scenes - more women, more people of color actually calling the shots and editing these books - those optics won't last.
I think that sleep and work are very closely related - not because you can work while you're sleeping and sleep while you're working. That's not really what I mean. I'm talking specifically about the fact that sleep and work are phase-based, or stage-based, events.
While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.
Life is a republic where the individuals are for the most part unconscious that while they are working for themselves they are also working for the public good.
This is my year of transition from what I'm calling the second phase of my life to the third phase of my life. And I wanted to pass it along. What I mean by that is, in the first days of your life you're dependent on others and you learn. You're basically a kid, depending on your parents. In the second phase of your life, you're working and others are dependent on you and you're trying to be successful. And then when you go to the third phase of your life it's no longer as much of a kick to be successful. There's a natural, instinctual desire to help other people be successful.
With the phase-contrast method still in the first somewhat primitive stage, I went in 1932 to the Zeiss Works in Jena to demonstrate. It was not received with such enthusiasm as I had expected.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I've had chapters in my work life that have kind of coincided with the place I am in mine. I had the best-friend phase, and the pregnant-woman phase - for a while, I was pregnant in every movie.
Titus belongs to 'Unbreakable Kimmy Schmidt,' Titus Andromedon. Tituss Burgess couldn't be more different. I get how people think I'm one and the same, but I just don't live there. I'm nothing like that man, and whatever I would do wouldn't be in stark contrast just because, but because I'm in stark contrast, it would be different.
While researching the project [The Fourth Phase] I stumbled across this amazing research by a scientist called Dr Gerard Pollack who had done studies on what he called a 'fourth phase' of water.
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