A Quote by Fujiwara no Teika
In the expression of the emotions, originality merits the first consideration... The words used, however, should be old ones.
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I fully agree with all that you say on the advantages of Spencer's excellent expression of 'the survival of the fittest.' This, however, had not occurred to me till reading your letter. It is, however, a great objection to this term that it cannot be used as a substantive governing a verb; and that this is a real objection I infer from H. Spencer continually using the words, natural selection.
Although all studios are now moving towards digitalization, a foundation in which we draw pictures by hand hasn't changed, so I foresee that we will continue to keep it in the future. After all, we used the digital method based on a conception of expanding and advancing the expression of the traditional animation cel in Steamboy. The first goal of this project was to overcome limitations of camera angles caused by platforms. On that aspect, I won't go back to the traditional method. I hoped to combine the merits of the traditional method of cel animation with the merits of the new CGI method.
Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.
Both the 18th and the early 20th centuries, however, feature brilliant attacks on originality, and it's no doubt one of the hallmarks of romanticism to care about originality and suppose with a sometimes naive spontaneity that it's all that matters.
Throughout human history, our greatest leaders and thinkers have used the power of words to transform our emotions, to enlist us in their causes, and to shape the course of destiny. Words can not only create emotions, they create actions. And from our actions flow the results of our lives.
When I rapped for 'Manto', I used cuss words and no one objected because it was an adult movie. I feel cuss words are also a way of expression.
How can the unknown merit reverence? In other words how can you revere that of which you are ignorant? At the same time, it would be ridiculous to propose that what we know merits reverence. What we know merits any one of a number of things, but it stands to reason reverence isn't one of them. In other words, apart from the known and the unknown, what else is there?
The bottom line in managing your emotions is that you should put others – not yourself – first in how you handle and process them. Whether you delay or display your emotions should not be for your own gratification. You should ask yourself, What does the team need? Not, What will make me feel better?
As sounds in a musical composition can be used not to express physical objects but ideas, emotions, harmonies, rhythmic orders and most any expression of the human mind and spirit, so light can be used visually to express the mind and spirit.
In debating the respective merits of dogs and cats, not having to walk a cat when it's 20 below zero deserves consideration.
We are with Europe, but not of it. We are linked, but not comprised. We are interested and associated, but not absorbed. And should European statesmen address us in the words which were used of old — “Shall I speak for thee to the King or the Captain of the host?” — we should reply with the Shunamite woman: “Nay, Sir, for we dwell among our own people.”
The old actors in the old days, they used to go on tour, to get the play ready for the West End, and to learn their lines. The old timers used to say, "Be very careful, dear boy, what you get in to during the first weeks of a long tour."
A candidate's faith is not the only consideration, but should be a major consideration in electing the president of the United States.
Now in creative thought common sense is a bad master. Its sole criterion for judgement is that the new ideas shall look like the old ones. In other words it can only work by suppressing originality.
Every true poet, I thought, must be original and originality a condition of poetic genius; so that each poet is like a species in nature (not an individuum genericum or specificum ) and can never recur. That nothing shd. be old or borrowed however cannot be.
I have used the words and expressions which my experiences from Minsk to Kharkov to the Don suggested to me. But I should have reserved those words and expressions for what came later, even though they are not strong enough. It is a mistake to use intense words without carefully weighing and measuring them, or they will have already been used when one needs them later. It's a mistake, for instance, to used the word frightful to describe a few broken up companions mixed into the ground: but it's a mistake that might be forgiven.
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