A Quote by Fumio Sasaki

If you ask me what minimalism is really about, I would say that it's the altering of values - enter the small doors of minimalism and come out on the other side with big ideas.
I'm a big believer in minimalism. Not materialist minimalism although that's part of it but time and energy minimalism. The body is given only so much energy a day.
I'm a big believer in minimalism. Not materialist minimalism, although that's part of it, but time and energy minimalism. The body is given only so much energy a day.
It depends on what kind of minimalism you're talking about, of course. I love both those artists - Brian Eno and William Basinski. I would say my minimalism references are early American minimalists from the 70s.
Post-minimalism implies music that's genre-less. Minimalism was very important because it came at a time when contemporary music had become so complex, so experimental and detached that people turned away from it. Minimalism broke that trend and brought music back to the people.
Music that is considered minimalism - or post-minimalism music in general - things of that nature or that come from that tradition, or even drone, or non-western music, have a more subtle and more open-ended verticality to them that allows for your own mind and body to be involved.
I was lucky to be born during the time of minimalism. I think I can be colder because of this. In form I speak with minimalism but my feeling is sentimental - I am a sentimental minimalist.
Minimalism is not a style, it is an attitude, a way of being. It’s a fundamental reaction against noise, visual noise, disorder, vulgarity. Minimalism is the pursuit of the essence of things, not the appearance.
If the '80s were about Christian Lacroix ball gowns, the '90s give us wealthy women who either go to work or pretend to, and want office suits or slip dresses they can wear to dinner parties - ergo, the minimalism of Prada, Jil Sander, and others. But this is minimalism that comes at maximal prices.
This neo-minimalism super cold stuff is weird to me. I need a place where I can come home and take my shoes off.
It's silly to have as one's sole object in life just making money, accumulating wealth. I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact. Money gives me just one big thing that's really important, and that's the freedom of not having to worry about money. I'm concerned about values - moral, ethical, human values - my own, other people's, the country's, the world's values. Having money now gives me the freedom to worry about the things that really matter.
I'm still just a kid learning about minimalism, and he's a master of it. It's just really such a blessing, to be able to work with him. I want to say that after working with Rick, it humbled me to realize why I hadn't - even though I produced "Watch the Throne"; even though I produced "Dark Fantasy" - why I hadn't won Album of the Year yet.
Modern minimalism has become less strict over time with a wider range of textures and materials, with other cozier layers.
I would say on the other side of the equation that there were really some massive sales and massive enthusiasm for some films that were given big releases. And I'm not really sure that happens in quite the same way, small films getting big releases. Maybe it still does, I don't know.
I really don't understand minimalism. It is so polite and boring. If you don't want anyone to notice you, you should stay home and grow your own vegetables.
I've done a lot of serious roles, but they're, like, independent, so it's harder for them to come out. The big ones have been comedies, but I would love to get a big drama to let people see the other side of me, that I am a serious actress.
Life's too short for minimalism.
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