A Quote by Fumito Ueda

There's a level of realism you can only achieve through the imaginary. — © Fumito Ueda
There's a level of realism you can only achieve through the imaginary.
You achieve the surreal jokes through the realism by making it elastic.
Scientific realism in classical (i.e. pre-quantum) physics has remained compatible with the naive realism of everyday thinking on the whole; whereas it has proven impossible to find any consistent way to visualize the world underlying quantum theory in terms of our pictures in the everyday world. The general conclusion is that in quantum theory naive realism, although necessary at the level of observations, fails at the microscopic level.
Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.
For real human beings, the only realism is an embodied realism.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
Today, Democrats not only have the White House; they have the Senate too. So we have to be realistic about what we can and cannot achieve, while at the same recognizing that realism should never be confused with capitulation.
Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand, leaves them at an imaginary level.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
The world consists of imaginary people, claiming imaginary virtues and suffering from imaginary happiness.
The industrial-technological system may survive or it may break down. If it survives, it MAY eventually achieve a low level of physical and psychological suffering, but only after passing through a long and very painful period of adjustment and only at the cost of permanently reducing human beings and many other living organisms to engineered products and mere cogs in the social machine.
Absolute trust is something hard to achieve even in a family, and it is much harder to achieve on an international level.
For any artistic person who creates imaginary people, the art is like inhabiting the life and mind of a seven-year-old child with imaginary friends and imaginary events and imaginary grace and imaginary tragedy. Within that alternate universe, the characters do have quite a bit of free will. I know it's happening in my mind and my mind alone, but they seem to have their own ability to shape their destinies. So I'm not shooting for anything. If the characters are vulnerable it's simply because they're very human.
Realism is in the work when idealism is in the soul, and it is only through idealism that we resume contact with reality.
Boundary, n. In political geography, an imaginary line between two nations, separating the imaginary rights of one from the imaginary rights of another.
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