A Quote by Fyodor Dostoevsky

Know that I've forgotten precisely nothing; but I've driven it all out of my head for a time, even the memories--until I've radically improved my circumstances. Then...then you'll see, I'll rise from the dead!
When we dream about those who are long since forgotten or dead, it is a sign that we have undergone a radical transformation and that the ground on which we live has been completely dug up: then the dead rise up, and our antiquity becomes modernity.
I wish for a moment that time would lift me out of this day, and into some more benign one. But then I feel guilty for wanting to avoid the sadness; dead people need us to remember them, even if it eats us, even if all we can do is say "I'm sorry" until it is as meaningless air.
If Jesus rose from the dead, then you have to accept all that he said; if he didn't rise from the dead, then why worry about any of what he said? The issue on which everything hangs is not whether or not you like his teaching but whether or not he rose from the dead.
I never know what something is going to be until it emerges from the womb and you see the crown of its head and then you see it pushing its way up. So in my life if another book wants to be born it's not for me to choose.
When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.
I'll always want him. Until every sun goes dark in every sky, until I am nothing more than long-forgotten cosmic dust, I will want him. And even then I suspect my particles will long for his.
I want to live with all of my memories, even if they’re sad memories. I believe that if I stay strong, someday I’ll overcome the pain, and then I’ll be glad that I have those memories. I believe that there are no memories that are okay to forget.
This was just one night, one chance to vary and see where it took me. The fireflies were probably already out: maybe it wasn’t just a season or a time but a whole world I’d forgotten. I’d never know until I stepped out into it. So I did.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
Out of the dusk a shadow, Then a spark; Out of the cloud a silence, Then a lark; Out of the heart a rapture, Then a pain; Out of the dead, cold ashes, Life again.
I just share my story in hopes that some people out there who have gone through different circumstances might be encouraged and inspired that even in their circumstances to know that there is nothing God can't change.
I want you to listen to what your conscience commands you to do and go on to carry it out to the best of your knowledge. Then you will live to see that in the long run- in the long run, I say! - success will follow you precisely because you had forgotten to think of it.
One of the things I did, I would go, 'Dad, I know you don't know how to work YouTube, but wait until you see this concert. I found Hank Williams in 1940. And look at this.' Then that brings on memories and it brings happiness and it gives him a little extra breath in life.
I g-g-guess...I'm dead?" she heard her own voice call out, strangely high-pitched and thin. For a long time, she heard nothing else. And then: "Hi, Dead. I'm Dan.
I know those little phrases that seem so innocuous, and, once you let them in, pollute the whole of speech. 'Nothing is more real than nothing.' They rise up out of the pit and know no rest until they drag you down into its dark.
When composing music, I just start spilling things out and then wait until they take form, you know what I mean, until I see like a common thread or something.
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