A Quote by Fyodor Dostoevsky

Such power!" Adelaida cried all at once, peering greedily at the portrait over her sister's shoulder. "Where? What power?" Lizaveta Prokofyevna asked sharply. "Such beauty has power," Adelaida said hotly. "You can overturn the world with such beauty.
I think it's the idea that beauty could be power, and that with power comes immortality, and with power comes control, and all of these other things are blocking her heart.
Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.
The power of association is stronger than the power of beauty; therefore, the power of association is the power of beauty.
As we heal, the Earth Mother feels our joy. We are like cells in and on her body. The power of love, the power of healing, the power of compassion, the power of unity, and the power of knowing are our abilities. These are the gifts our Earth Mother seeks to share with us at this time. Through reconnecting to the celebration of life we are able to let go of our grief and fear. When we Walk in Beauty, we acknowledge every aspect of the Self. The Power Places of our planet are those that have seen the joy of our Earth Mother when her children have grown toward wholeness, celebrating life.
It seems to me that whereas power usually means power-over, the power of some person or group over some other person or group, it is possible to develop the conception of power-with, a jointly developed power, a co-active, not a coercive power.
Nothing in all nature is so lovely and so vigorous, so perfectly at home in its environment, as a fish in the sea. Its surroundings give to it a beauty, quality, and power which are not its own. We take it out, and at once a poor, limp dull thing, fit for nothing, is gasping away its life. So the soul, sunk in God, living the life of prayer, is supported, filled, transformed in beauty, by a vitality and a power which are not its own.
The critic is beneath the maker, but is his needed friend. The critic is not a base caviler, but the younger brother of genius. Next to invention is the power of interpreting invention; next to beauty the power of appreciating beauty. And of making others appreciate it.
We Indians do not teach that there is only one god. We know that everything has power, including the most inanimate, inconsequential things. Stones have power. A blade of grass has power. Trees and clouds and all our relatives in the insect and animal world have power. We believe we must respect that power by acknowledging it's presence. By honoring the power of the spirits in that way, it becomes our power as well. It protects us.
There comes a period of the imagination to each--a later youth--the power of beauty, the power of looks, of poetry.
I think influence is one way to exercise power and that the challenge is whether it is power over or power with. That's the essential shift that I hope can happen in the world.
He possessed the power. He held it in his hand. A power stronger than the power of money or the power of terror or the power of death: the invincible power to command the love of mankind. There was only one thing that power could not do: it could not make him able to smell himself.
So our task as stewards of the word begins and ends in love. Loving language means cherishing it for its beauty, precision, power to enhance understanding, power to name, power to heal. And it means using words as instruments of love.
Love is power, the purest power and the greatest power: Love is God. Nothing can be higher than that. But this power is not a desire to enslave others, this power is not a destructive force. This power is the very source of creation. This power is creativity. And this power will transform you totally into a new being. It has no concern with anybody. Its whole concern is to bring your seeds to their ultimate flowering.
If women had power, what would men be but women who can't bear children? And what would women be but men who can?" "Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?" "A queen's only a she-king," said Ged. She snorted. "I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.
To me, beauty is a commodity and that's the way it's treated in my books. It has power, and though that power is limited, some characters understand that better than others.
In the late '60s, people were saying we need power to, not power over. Power to do, accomplish, create, not power over other people.
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