A Quote by Fyodor Dostoevsky
The pleasure of despair. But then, it is in despair that we find the most acute pleasure, especially when we are aware of the hopelessness of the situation... ...everything is a mess in which it is impossible to tell what's what, but that despite this impossibility and deception it still hurts you, and the less you can understand, the more it hurts.
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For example, I'm terribly proud. I'm as mistrustful and as sensitive as a hunchback or a dwarf; but, in truth, I've experienced some moments when if someone had slapped my face, I might even have been grateful for it. I'm being serious. I probably would have been able to derive a peculiar sort of pleasure from it-the pleasure of despair, naturally, but the most intense pleasures occur in despair, especially when you're very acutely aware of the hopelessness of your own predicament.
It's in despair that you find the sharpest pleasures, particularly when you are most acutely aware of the hopelessness of your position.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
The other exception to the rule regards dealings with masochists. A masochist derives pleasure from being hurt; so denying the masochist his pleasure through-pain hurts him just as much as actual physical pain hurts the non masochist. The story of the truly cruel sadist illustrates this point: The masochist says to the sadist, "beat me." To which the merciless sadist replies, "NO!" If a person wants to be hurt and enjoys suffering, then there is no reason not to indulge him in his wont.
The ever increasing intensity of despair depends upon the degree of consciousness or is proportionate to this increase: the greater the degree of consciousness, the more intensive the despair. This is everywhere apparent, most clearly in despair at its maximum and minimum. The devil's despair is the most intensive despair, for the devil is sheer spirit and hence unqualified consciousness and transparency; there is no obscurity in the devil that could serve as a mitigating excuse. Therefore, his despair is the most absolute defiance. . . .
Compared with the person who is conscious of his despair, the despairing individual who is ignorant of his despair is simply a negativity further away from the truth and deliverance. . . . Yet ignorance is so far from breaking the despair or changing despair to nondespairing that it can in fact be the most dangerous form of despair. . . . An individual is furthest from being conscious of himself as spirit when he is ignorant of being in despair. But precisely this-not to be conscious of oneself as spirit-is despair, which is spiritlessness. . . .
Let judges secretly despair of justice: their verdicts will be more acute. Let generals secretly despair of triumph; killing will be defamed. Let priests secretly despair of faith: their compassion will be true.
There is probably no pleasure equal to the pleasure of climbing a dangerous Alp; but it is a pleasure which is confined strictly to people who can find pleasure in it.
If there's more that you can do, then do it. If there's not more that you can do, then be content with what you're doing. But if there is despair, the despair can only be that you can do more. Because when you're doing as much as you can do, you will not feel despair. Because despair is the gap between what you could be doing and what you are doing.
And it hurts her, but it's an okay hurt, but it hurts still, but it's good, but it hurts.
Men have commonly more pleasure in the criticism which hurts than in that which is innocuous, and are more tolerant of the severity which breaks hearts and ruins fortunes than of that which falls impotently on the grave.
An individual in despair despairs over something. . . . In despairing over something, he really despair[s] over himself, and now he wants to get rid of himself. Consequently, to despair over something is still not despair proper. . . . To despair over oneself, in despair to will to be rid of oneself-this is the formula for all despair.
I despair of ever receiving the same degree of pleasure from the most exalted performances of genius which I felt in childhood from pieces which my present judgment regards as trifling and contemptible.
Marriage has, for its share, usefulness, justice, honour, and constancy; a stale but more durable pleasure. Love is grounded on pleasure alone, and it is indeed more gratifying to the senses, keener and more acute; a pleasure stirred and kept alive by difficulties. There must be a sting and a smart in it. It ceases to be love if it has no shafts and no fire.
Life hurts at times. It hurts to have a body at times, hurts to be born, hurts to live, hurts to die, but it can be ecstasy beyond comprehension. You can know that ecstasy. It is inside of you.
I have always believed that art should be a deep pleasure. I think there is a contradiction in an art of total despair, because the very fact that the art is made seems to contradict despair.
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