A Quote by Fyodor Tyutchev

I love poetry and my country above all else in the world. — © Fyodor Tyutchev
I love poetry and my country above all else in the world.
What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets.
What raises great poetry above all else--it is the entire person and also the entire world.
I mean, in a way, Obama's standing above the country, above — above the world, he's sort of God.
Poetry is difficult, I mean interesting poetry, not confessional babble or emotive propaganda. Reading a new poet is discovering an entire world, what Stevens called a 'mundo' and it takes a lot of time to orientate oneself in such a world. What we have to learn to do then, as teachers and militants of a poetic insurgency, is to encourage people to learn to love the difficulty of poetry. I simply do not understand much of the poetry that I love.
I love poetry, be it in music or be it in Andrei Tarkovsky, Francesca Woodman or anyone else, I just love poetry.
In poetry, rhythm is a priority above everything else.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
I tell you there is one thing that draws above everything else in this world, and that is love.
Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.
I shall have poetry in my life. And adventure. And love, love, love, above all. Love as there has never been in a play. Unbiddable, ungovernable, like a riot in the heart and nothing to be done, come ruin or rapture.
Reagan was all about America, and you talked about it. Obama is, 'We are above that now. We're not just parochial, we're not just chauvinistic, we're not just provincial. We stand for something.' I mean, in a way, Obama's standing above the country, above - above the world. He's sort of God. He's going to bring all different sides together.
As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.
Politics in any country in the world is dangerous. For the poet, politics in any country had better be disguised as poetry. Politics can be the graveyard of the poet. And only poetry can be his resurrection.
Poetry is a natural energy resource of our country. It has no energy crisis, possessing a potential that will last as long as the country. Its power is equal to that of any country in the world.
Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.
I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.
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