A Quote by G-Dragon
I just listened to regular commercial music from Korea. I would just follow the choreographed dance routines. I didn't have any ambitions of pursuing rapping. I liked dancing, so I did that.
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I don't really know exactly what the plan is... I'm not a person that's just pursuing acting or just pursuing singing or just pursuing dancing. You know, I would love to do reality television, I would like to go back to Broadway.
We just made music that we liked and that people liked in Korea, and then people outside of Korea began to like it - in the same way that we hear pop songs from outside of Korea and enjoy them too.
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
Well before I was rapping. I was just a regular kid in school. I just liked to chill my friends and play games and stuff like that. One day at school my friends were freestyling at the lunch table and thats where it all started.
I've never been the guy to go for the celebrity girl. I've always liked regular girls, regular people, because I've always viewed myself as a regular person who just happens to be gifted in music.
We did have a script, but it didn't consist of the routines and gags. It outlined the basic story idea and just a plan for us to follow. But when it came to each scene, we and the gagmen would work out ideas.
When I was eight, I would go crazy dancing in marriages. During Ganpati, I would dance on the street all night. I loved music and would be mad about dancing.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
We are just at the studio, me and my choreographers, we are spending like 30 nights and we are thinking, what is my next dance move? Because in Korea there are huge expectations about my dancing. So it was a lot of pressure.
I wouldn't be interested in just doing a show that's mapped out and choreographed with a set list. That would've been boring so long ago it just wouldn't be any fun.
When I'm doing TV, it's more of a choreographed dance, in a way. So I've got to follow the pictures, or the pictures have to follow me.
A dancer, more than any other human being, dies two deaths: the first, the physical when the powerfully trained body will no longer respond as you would wish. After all, I choreographed for myself. I never choreographed what I could not do. I changed steps in Medea and other ballets to accommodate the change. But I knew. And it haunted me. I only wanted to dance.
I remember my mom threatening me, half-serious: 'You know what? I should take you to Pittsburgh and put you in dance lessons just to keep you occupied.' Well, that brought everything to a screeching halt. 'Jeeze, dance lessons.' In retrospect, it would have been awesome, but then, 'Ugh, dancing - dancing's for sissies.'
Dancing is very important to people who play music with a beat. I think that people who don't dance, or who never did dance, don't really understand the beat... I know musicians who don't and never did dance, and they have difficulty communicating.
The Rolling Stones were an inkling towards an appreciation of the unity of music, dance and words. Any of the black R&B people who had a stage show that involved dancing, music and words did the same thing, except that I thought Jagger's words were good, his music was good and his dancing was good. I spoke to him about Blake and tried to get him to sing [William] Blake's The Grey Monk, to use his words as lyrics. He didn't do it. In the end, I did it myself.
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