A Quote by G-Dragon

Stony Skunk, when they were with our company, had a song which I personally like called 'Red Light District.' — © G-Dragon
Stony Skunk, when they were with our company, had a song which I personally like called 'Red Light District.'
Some of it was shot in Berlin, but a lot of it was filmed in Hamburg, along the Reeperbahn in Hamburg in the famous red light district. Kino is obviously German and "film" and "cinema" and we were always cinematic in our thinking.
Say you write a song about a chandelier, and the chandelier gives off light. And the light is the color red and red reminds you of the color your not supposed to wear around a bull. So you name the song 'Cow.'
You make a movie, and if there's a red light flashing in the distance, everyone thinks that the director had a whole lot of money and a great idea that the red light means something. Then you say, 'Yeah, we couldn't afford to shut the red light off that was broken two blocks away.'
When the Internet arrived in Ireland... it was like having Amsterdam's Red Light District in your own living room.
I had this song called Helter Skelter, which is just a ridiculous song. So we did it like that, 'cuz I like noise.
Always the notorious red-light district of sports, boxing today is as troubled as it was even in the days when the Mob called the shots. There are too many lawsuits and too few heroes. Absurd mismatches and fraudulent rankings by unaccountable offshore sanctioning bodies have disgusted fans.
It's not the skunk's fault that he's a skunk or that he gives off this really bad stink. If I am a skunk, I want to live as a skunk, I want to know what my truth is, to know the person I am without fear.
Cisco never had a red quarter. Never. Took us three years to get funding, and in those three years, we were never in the red, and that was because we had two products to sell. They were not sexy or cool, but we had enough of a market that we could generate enough of a cash stream to grow the company.
'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.
I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh
I get to sing a great song called "Proud of your boy" which was by Alan Menken and Howard Ashman and they were so hurt when it had to be cut from the film [Aladdin]. They were not happy. For the sake of the film, they had to streamline everything.
I don't have a problem with saying, 'I love you.' I probably said it to the whole of the red-light district in Amsterdam when I was about 21.
...night possessed us and the shadow of death encompassed us, for we had fallen into sin and lost the power of sight which was ours by God's grace and by which we were able to perceive the light that bestows true life. Night and death had been poured out on our human nature, not because of any change in the true light, but because we had turned aside and no longer had any inclination towards the life-bearing light. In the last times, however, the Giver of eternal light and Source of true life has had mercy upon us.
Light is a metaphoric thing. There is green light and red light. Then there is black light, which is mostly danger.
Let us carve gems out of our stony hearts and let them light our path to love.
The scale of light can be described by numbers called the frequency and as the numbers get higher, the light goes from red to blue to ultraviolet. We can't see ultraviolet light, but it can affect photographic plates. It's still light only the number is different.
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