A Quote by G-Eazy

When I started making music, I was so heavy into the hyphy movement. That's something you only know so much about if you were right there living in it, submerged in the culture.
If I wanted to contribute to the hyphy movement, what good is it making a hyphy record that isn't embraced by that community?
I started making music... I guess I was 12, and I started playing 'Guitar Hero.' And you know, it got to a point where on expert, you can only exceed to a certain point. And so, you know, I was like, 'Let's play real guitar. Let's not waste more time.' So, I got my mom, I told her to buy me a guitar for Christmas, and I started making music then.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
Rapping's a release of the good and the bad - that's the definition of hyphy. You can't be like that, you can't get hyphy in, like, a business environment. I can be me. I'm energy. Hyphy is energy.
I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.
It's never been about what we want others to see: it's about what we want to see; it's about what we want to do. We only have a career because of our fans, but we have to keep making music for the reason we started making music.
The Germans were much more graphical. The expressionism is much more than cinema. It was a movement with artists, painters, music and architecture, so it's really graphic and visual. And the French were something else.
I didn't invent the word 'hyphy' and I'm not trying to say I'm the king of hyphy.
It was my dad’s idea that music is supposed to be more than simply about entertainment and making a living, but about being of service as an integral part of the consciousness of the world. In honor of him and because it’s right, I use music in that light.
The way I like to think about it is, even though I started music early - I started in classical music - it wasn't until I discovered jazz that I really fell in love with music and realized this was what I wanted to do for a living.
In the '60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women's rights movement, the antiwar movement. It wasn't just Bob Dylan, it was everybody at the time.
In the ’60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women’s rights movement, the antiwar movement. It wasn’t just Bob Dylan, it was everybody at the time.
They're lacking culture in Hollywood. That gives me a big up, right? I know something about pop culture.
Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.
The number-one thing about the hyphy isn't the sideshow or doing donuts. It's the music.
In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.
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