A Quote by G-Eazy

I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience. — © G-Eazy
I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
I didnt grow up around all white people; I never wanted to gentrify hip-hop, Ive never wanted to speak to an all-white audience.
I see myself as a hip-hop artist, but I never wanted to make music for a specifically white audience. Thats not what I grew up around.
I see myself as a hip-hop artist, but I never wanted to make music for a specifically white audience. That's not what I grew up around.
I'm a small-time white kid trying to represent hip-hop. If a hip-hop artist comes up and beats me in a battle, who did they beat? A small-town white kid who ain't never been an MC, who ain't never done nothing. Now if an MC comes to battle and they get beat by a small-town white boy, that's MC suicide.
The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
White people couldn't do black music back in the day because they weren't funky or bad enough. They weren't from the ghettoes, but hip-hop and R&B changed all of that because white kids want to be down with it. They wanted to learn it so they studied the culture. It's kind of a cool thing because we shouldn't be so separate.
Though my music audience is cross-generational, like my television audience, my core demographic is people like myself. People who have grown up on hip-hop, but hip-hop doesn't necessarily speak to us any longer.
Oh, my other goal was that I wanted to talk about this area and this time in history. I wanted to talk about growing up in Oakland, a white kid, from this kind of generation of broken homes and listening to hip-hop.
People of color grow up steeped in 'white' culture. The reverse is not true. And, no, listening to hip-hop on the way to work does not count as immersion.
Hip-Hop is diverse. But the white, capitalist producers and distributors of Hip-Hop are most interested in the Hip-Hip that is misogynist, that is Black-hating, that is pugilistic, that is to say all about fighting and war and killing and gangsterism.
I wanted to write songs from the ground up, I wanted to sit at a piano and build around that. But I still have a lot of love for hip-hop, so I want to do more collaborations in that sense.
I never wanted a big wedding. I never wanted to wear a white dress or throw a bouquet.
I always wanted the flowiness that hip-hop artists had. I always admired how they rapped so fast, but I never wanted to rap; I wanted to sing the rap.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
When hip-hop was new and raw, it was all about being an MC. You wanted to be respected as a lyricist. But as the years passed and hip-hop became big business, hip-hop became like country, rock and pop. And so you now have people who write the songs for rappers.
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