A Quote by G-Eazy
What I actually do put much more weight on, in all honesty, is not being critically acclaimed - it's being respected by my OGs. When I talk to E-40 on the phone, every time I talk to him, I'm like, you know, if he tells me I'm doing good, I'm doing good.
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Every time I do a talk show or something, I'll be like, 'I'm doing 'Chandelier,' right?' and they're like, 'No, you're doing a skit and three dances.' It's different every time. I never really know what I'm doing until the day before.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
I actually have no style whatsoever. I'm the worst. I have people I talk to, and I say, 'Please tell me how to dress because I don't know what I'm doing.' The biggest thing for me is my mom. I'm like, 'Mom, do I look good?' If she says yes, I'm good to go.
I feel like talking to people who don't tour, when you talk about touring - obviously we're super blessed and very lucky to be doing what we do - but there are so many weird things that could never happen anywhere else. When I talk to people who don't tour they look at me like I'm being bratty and complaining about this job that I have. It's not that! It's the fact that when I'm home I can exercise every day, I can cook myself good meals, then when I'm on the road for a long time it's like, "There's a Subway. I guess I'm eating a bowl full of lettuce because I don't eat McDonalds."
When they talk about you in trades or being let go, there's just so much negativity around, that's bad. But when you're doing good, and teams want you, they want to trade for you, that's good.
You do not want to talk to me on the phone. How do I know? Because I don't want to talk to you on the phone. Nothing personal, I just can't stand the thing. I find it intrusive and somehow presumptuous. It sounds off insolently whenever it chooses and expects me to drop whatever I'm doing and, well, engage. With others!
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
People talk about what I did in my private life more than if I'm good at football. 'Oh yeah, he was good, but I don't like him because of this.' But you don't know me! Know me as a footballer.
I just turned 40, and I look at so many performers and so many people who are actually always on time and always have an album out. They don't have actual lives, in my opinion. I feel like I'm so much more than being famous and meeting a musical quota. And I don't know, just the weight of the scrutiny and attention is too weird for me.
Most authors writing books like 'He's Just Not That Into You' dream of doing what I was being asked to do. I didn't like it. I'm good at giving advice, but doing it on TV and radio felt wrong, and when people resisted my point of view, I was like, 'Why am I doing this? This was not the plan.' So I stopped. It didn't make me feel good.
To be critically acclaimed, to get a Grammy, to be on MTV, you gotta talk about current events. You gotta talk about controversy, just stuff people want to hear. At the same time, you gotta get a message across.
I may not be doing it right, but I love to get on an elliptical and put the kids on FaceTime in front of me and just get after it. They don't even have to talk to me. They just put the phone on and put it in the living room and one will walk by and be like, 'Hey!'
There's nothing like getting feedback that's positive and supportive. That's what I'm all about. I'm really just genuinely doing good music. I'm not looking to be on the cover of magazines and I'm not in it for the fame. I'm not in it for selling or the biggest Pop song in the world. I have to go for critically acclaimed. I'd rather go for my peers that I look up to say "I listen to her record." I'd rather do a small little touring venue that has two people who support me as opposed to thousands of people. I mean if it happens, it happens but I'm doing it for me.
Drive-Bys want you to think that Donald Trump doesn't have a mind of his own. He's either doing what Steve Bannon tells him to do or he's either doing what Jared Kushner tells him to do or he's then doing what Gary Cohn tells him to do, and then sometimes he might do what Ivanka Trump tells him to do. They want you to believe he doesn't have a mind of his own, that he actually believes the last thing somebody tells him. I don't think that's how it happened.
You have to take the good with the bad. Some players only talk to the press when they are doing good. When you're doing bad you shouldn't shy away from them and when doing good, don't run up to them.
In true friendship, in which I am expert, I give myself to my friend more than I draw him to me. I not only like doing him good better than having him do me good, but also would rather have him do good to himself than to me; he does me most good when he does himself good.
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