A Quote by G-Eazy

I played shows in front of like 25, 50 people, and it's a lot harder to do your thing in front of a crowd that's small. — © G-Eazy
I played shows in front of like 25, 50 people, and it's a lot harder to do your thing in front of a crowd that's small.
I feel like it's harder to perform in front of a smaller crowd sometimes still than it is a larger crowd.
For whatever reason, it's easier to perform in front of a massive crowd than in front of a small one, but again, that's how we came up.
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
For me any moment in front of a crowd is embarrassing, because I can't stand being in front of people. I'm probably one of the worst public speakers. I try to avoid it, but there are times when it's just too rude not to do it. But there really isn't a moment that's not embarrassing for me if I'm going to stand up in front of a crowd.
Lollapalooza, that was one of my worst shows. We just played at, like, 3 in the afternoon; it was like the hottest, most miserable thing. My shoes were melting. I just thought I was going to die. It was the most horrible experience. I lasted, what, four songs? In front of quite a lot of people. That was one of my least favorites.
Even in a given territory what would work in one city in front of one crowd might not work in front of another crowd. Every crowd is different in what they are looking for and what they'll respond to.
I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
The model for an NHL without fighting is right there in front of us. The [playoffs are] the time of year that fans love best; when the best hockey is played... [The] enforcers don't play. Even mini-enforcers... remain on the bench. Teams and coaches can't afford anything stupid and unpredictable... With no one to fight back for them, players go harder into the corners, more determinedly to the front of the net. If they want to fire up the crowd and their teammates, they have to do it themselves. And in the playoffs, they do.
I'm not used to performing in front of people. When I make TV it's very intimate. In front of a crowd I get so nervous and I'm not that great at it.
I love to dance. But I don't like being up in front of tons of people. I didn't have that in me to do it, the desire to be performing in front of a lot of people. If there's a lot of people on a set, I get nervous. So music just wasn't something I ever seriously considered.
I'd say it's harder to play with an acoustic guitar strapped over your shoulder for a few hundred people than it is to play in front of thousands with an entire bombastic band behind you. After all these years, I still get nervous in front of people. I can't help it.
When you've played reserve team football in front of 50 people, then you play at White Hart Lane with five or six of the same lads - it's hard to describe what that feels like.
It's so liberating to play a song in front of 50,000 people that you've never played before. Not something you played a long time ago and have forgotten: Never. Played. Before. There's something magical about it.
I love to dance. But I don't like being up in front of tons of people. I didn't have the desire to be performing in front of a lot of people. So it wasn't something I ever seriously considered.
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