A Quote by G-Eazy

I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make. — © G-Eazy
I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make.
It's not like I go into the studio and say I'm going to try to make music to prove to somebody that I can make music.
I live in that studio. I make music when they party. I make music when they go on romantic trips and on vacations. I'm working. That's what I do. This really has all my attention all the time.
My goal every time I make a record is just to make the funkiest, the best music I could possibly make, both lyrically, and music-wise.
I'm not even going to lie - when I'm in the studio, I'm not like, 'Alright, let me make a hit.' I just try to make good music to the best of my ability.
Hip hop music and soul music have been the two main motivators for me musically. The music I make is hip hop soul, but I do make r&b music as well. I don't think I make r&b music to the point where I'm accurately categorized. There's more to what I have to offer and offer in the future. People could choose to respect it or not, but I pray that you do. As long as you get it, support it, and pay for it, it doesn't really matter.
I get to go make music, and I get paid to do it, and this is what people love me for. I couldn't ask for anything greater, so how could I not go in the studio and make a million songs?
It probably would be impossible for me to make music and not make it sound like Burzum. This is the music I make and the only music I am able to make, so I have no other options musically.
The best part of touring is the opportunity to make the music. You get to do what you love and have the ability to go out on stage every night and create.
The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.
Honestly, the way I make music, you know - it's like, I don't want to sound cocky or anything, but I try my best to make time with music that doesn't have an expiration date.
I don't have to, like, try to come out with pop music because I feel that that's gonna make me sell a lot more. I mean, I make the music I love to make and that's it.
I mean for me, I can't really say I differentiate 'cause when I go into the studio to make music, I just make music. Sometimes, it just ends up with me, and sometimes it doesn't.
I was 13 years old. I feel like I didn't have a sense of artistry, and I didn't have a sense of the music that I wanted to make, and every time I'd go into the studio, and I'd make my EP, a month later I'd scrap it and be like, 'I hate every song. I don't wanna do it.' Because that's how 13-year-olds are.
I have a certain amount of creative energy, and it used to go painting. Now most of it goes to music. I like to make things. I treat the songs more like poems than prose, so in that sense, I don't really have a point to make. I just try to be surprised.
What I did was go into the studio and make music that I love. Make music that when you hear it, it feels good. Whether it was urban inspired, dance inspired, HipHop inspired or it just feels good period.
I don't want to make music alone in a dark studio and make me feel awful and depressed. I want to make music and feel happy and get to share it with people.
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