A Quote by G-Eazy

I'm the type of person that rises to the occasion, and when work is in front of me, I do work. — © G-Eazy
I'm the type of person that rises to the occasion, and when work is in front of me, I do work.
I'm the type of person who doesn't hope, dream or wish for things. I work and work and work.
I grew up really poor and have always been the type of person who will work earlier or work harder or more than the other person to even the playing field.
I'm kind of the long-hauler type of person. I also have a strong work ethic and gratitude for people that I work with.
We honor life when we work. The type of work is not important: the fact of work is. All work feeds the soul if it is honest and done to the best of our abilities and if it brings joy to others.
I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me.
I work 'cause I have to pay the bills. But I also work 'cause I love it. I don't know what I'd do with me if I didn't have this work. It's what I've done all my life. It's my motivation. It's my satisfaction. It's my joy to stand in front of an audience to sing, to come back home and write songs. Man, it's amazing for me.
That guy just cut right in front of me. But I'm not going to let it bother me. No. I'm on my way to work and I decided it doesn't matter who wants to cut in front of my lane today. I'm not going to let it bother me one bit. Once I get to work, find myself a parking space, if somebody wants to jump ahead of me and take it, I'm going to let them.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
I feel sometimes constrained by the expectation that the work should be solely political. I try to create a type of work that is at the service of my own set of criteria, which have to do with beauty and a type of utopia that in some ways speaks to the culture I'm located in.
I work early in the morning, before my nasty critic gets up - he rises about noon. By then, I've put in much of a day's work.
I wasn't really a work conscious type of person.
My way in for photographing people is really their work. I'm always interested in what people make, and then I photograph the person. Sometimes the person is a disappointment. But that's the risk. It informs me a lot about the character of a person if I know their work first.
The secret to it all is just to enjoy what you're doing. This is not working at the coal face, this is not sweeping behind a restaurant. It's work, but it's not work. It gives me a different type of energy. I'm grateful for that.
I'm kind of a tech person, a nerd. I've always been the person who, when we got our Christmas presents, knew how to work them and set them up; the racecars, whatever. Sit me down in front of a computer program, I'll be fine.
If there's a criteria that really gets me interested in a work besides any type of personal interaction with the theme, it's if I feel like this is the right piece of work for that director at that moment in their career.
The person who understands Dharma will have the opposite reaction to a "hard" job. That person will be eager to get started, no matter what kind of work is in front of her, because she understands that she's doing God's work. And when you're working for God, nothing is too hard.
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