A Quote by G. H. Hardy
There is always more in one of Ramanujan's formulae than meets the eye, as anyone who sets to work to verify those which look the easiest will soon discover. In some the interest lies very deep, in others comparatively near the surface; but there is not one which is not curious and entertaining.
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There is no self-interest completely unrelated to others' interests. Due to the fundamental interconnectedness which lies at the heart of reality, your interest is also my interest. From this it becomes clear that "my" interest and "your" interest are intimately connected. In a deep sense, they converge.
Prayer can assume very different forms, from quiet, blessed contemplation of God, in which eye meets eye in restful meditation, to deep sighs or sudden exclamations of wonder, joy, gratitude or adoration.
THERE is scarcely any inquiry more curious, or, from its importance, more worthy of attention, than that which traces the causes which practically check the progress of wealth in different countries, and stop it, or make it proceed very slowly, while the power of production remains comparatively undiminished, or at least would furnish the means of a great and abundant increase of produce and population.
Friendship arises out of mere Companionship when two or more of the companions discover that they have in common some insight or interest or even taste which the others do not share and which, till that moment, each believed to be his own unique treasure (or burden).
There are many points in the history of an invention which the inventor himself is apt to overlook as trifling, but in which posterity never fail to take a deep interest. The progress of the human mind is never traced with such a lively interest as through the steps by which it perfects a great invention; and there is certainly no invention respecting which this minute information will be more eagerly sought after, than in the case of the steam-engine.
The glory of the garden lies in more than meets the eye.
To be an artist is a blessing and a privilege. Artists must never betray their true hearts. Artists must look beneath the surface and show that there is more to this world than what meets the eye.
There is no violent surface indication of the ecstasy which great thinkers alone enjoy. There is nothing dramatic about it, but there is some subtle light in the eye of the inspired one, or some even more subtle quiet emanation which surrounds the inspired thinker, which tells you that you are in the presence of one who has bridged the gap which separates the mundane world from the world of spirit.
Of course, there will always be those who look only at technique, who ask 'how', while others of a more curious nature will ask 'why'. Personally, I have always preferred inspiration to information.
Some eyes threaten like a loaded and levelled pistol, and others are as insulting as hissing or kicking; some have no more expression than blueberries, while others are as deep as a well which you can fall into.
There's always changes in the way they do that in the cinematic universe. I think, with the S.H.I.E.L.D. 2.0, you're seeing some of the first ripples of those different points of view on what S.H.I.E.L.D. should be when it's rebuilt. I'm very, very curious to know which side Coulson will end up on in that struggle.
There is this looking at the world as shapes and patterns and colors that have meaning, and you can't deny the superficial because the superficial is what meets the eye. The content can never be disconnected from the surface, and this active interest in surface can never be disregarded from the good art that we admire.
The operating management, providing as it does for the care of near thirty thousand miles of railway, is far more important than that for construction in which there is comparatively little doing.
Of all studies, the most delightful and the most useful is biography. The seeds of great events lie near the surface; historians delve too deep for them. No history was ever true. Lives I have read which, if they were not, had the appearance, the interest, and the utility of truth.
There will always be some corners which are challenging and more dangerous than others.
There are two devices which can help the sculptor to judge his work: one is not to see it for a while. The other... is to look at his work through spectacles which will change its color and magnify or diminish it, so as to disguise it somehow to his eye, and make it look as though it were the work of another.
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