A Quote by G. I. Gurdjieff

Personality in man is what is "not his own" . . . what come from outside, what he has learned, or reflects, all traces of exterior impressions left in the memory. — © G. I. Gurdjieff
Personality in man is what is "not his own" . . . what come from outside, what he has learned, or reflects, all traces of exterior impressions left in the memory.
In order to understand, it is immensely important for the person who understands to be located outside the object of his or her creative understanding—in time, in space, in culture. For one cannot even really see one's own exterior and comprehend it as a whole, and no mirrors or photographs can help; our real exterior can be seen and understood only by other people, because they are located outside us in space, and because they are others.
The man who lies asleep will never waken fame, and his desire and all his life drift past him like a dream, and the traces of his memory fade from time like smoke in air, or ripples on a stream.
A writer's main tool is his memory - his own memory, the collective memory of his people. And the strongest memory is the one that is created by a wound to the heart.
A man, groundly learned already, may take much profit himself in using by epitome to draw other men’s works, for his own memory sake, into short room.
The artist's personality must be left in his dressing-room; his soul must be denuded of its own sensations and clothed with the base or noble qualities he is called upon to exhibit.... [he] must leave behind him the cares and vexations of life, throw aside his personality for several hours, and move in the dream of another life, forgetting everything.
Left to my own devices, would I trade this for firm thighs, fewer wrinkles, a better memory? On some days. That's why it's such a blessing I'm not left to my own devices. Because the truth is I have amazing friends and a deep faith in God, to whom I can turn. I have a cool kid, a sweet boyfriend, darling pets. I've learned to pay attention to life, and to listen. I'd give up all this for a flatter belly? Are you crazy?
It is God's earth out of which man is taken. From it he has his body. His body belongs to his essential being. Man's body is not his prison, his shell his exterior, but man himself. Man does not "have" a body; he does not "have" a soul; rather he "is" body and soul. Man in the beginning is really his body. He is one. He is his body, as Christ is completely his body, as the Church is the body of Christ
Somehow I had learned from Thoreau, who doubtless learned it from Confucius, that if a man comes to do his own good for you, then must you flee that man and save yourself
It is remarkable how very individual technique becomes in watercolour. Every man of personality finally arrives at a method peculiarly his own, as unique as his own fingerprint.
There is no man who loves a woman that does not desire to come to her for the renewal of his courage, for the cutting asunder of his difficulties. And that will be the mainspring of his desire for her. We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist.
There are few things more dreadful than dealing with a man who knows he is going under, in his own eyes, and in the eyes of others. Nothing can help that man. What is left of that man flees from what is left of human attention.
Christmas was really where I started coming into my own as a performer because I did all this stuff on my own, all this performing on my own. When other kids were outside playing, I was in my room conjuring characters and impressions and things like that.
When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is a personality to each pot and that the person who made it reflects their personality into the clay.
I clearly saw the skeleton underneath all this show of personality what is left of a man and all his pride but bones?
Happiness is a man's greatest achievement; it is the response of his total personality to a productive orientation toward himself and the world outside.
A poet should leave traces of his passage, not proofs. Traces alone engender dreams.
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