A Quote by G. W. Bailey

Do I enjoy features? Yeah, I really do. Would I like to do some more features before I head to the barn? Yeah, probably. But I also love television. I love doing television because it's fast, and that I like a lot.
I would really like to focus on directing features, and then eventually take that skill set back to television. On features, you have more control. On television, the producers are the creative forces behind it. Directors come and go on television.
I really enjoy doing films, but I also love television. I certainly would not be against doing some regular television work and being on a show that runs several years.
Yeah, I like working in television, a lot. I really enjoyed my time on 'Lost.' I like developing that hint of family with people. I mean, if you're on a happy set. If you're on a set where there's some sour apples, then I don't like working in television.
The thrill of doing television versus features is, in television, you get to focus more on the characters.
The thrill of doing television versus features is in television you get to focus more on the characters.
The process of doing films is not my favorite, but I love television. Television is a quicker turnaround. You shoot more during the day, which makes me feel more productive. It would be like, 'I did five scenes today and ten pages.' That's television.
I like a lot of metal music. So that's really what I listen to a lot. Or I listen to a lot of kind of off the cuff, like I love artists like Santigold, or Gold Frapp. Yeah. Pelican. Yeah.
I don't think people come to television for spectacle. And I don't really have a lot of fun writing spectacle for television, I'll do that in features.
I can see television much more easily than I can see features, because the economy and politics of making big, big features seems to me to be narrowing even from what it was.
I feel like I'm a fan of film who's actually in the business, too. So it'd be like saying like, ‘Yeah, I love the NFL,’ and then, ‘Yeah, I'm also a wide receiver.’
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'
Thank god, I can't sing because that would be a lot of pressure. But yeah, it's nice doing something different and that's something I really feel like is my own passion. It's also connected. Everything is connected in the entertainment business, so I have the support of my parents because they've been through it all before and they can give me advice.
In 'Fable 1,' the number of features was more important to me than what the features did. And as a games designer I've come to realize that it's not the number of features you have, it's the way that those features interact.
We're all getting plastic surgery. Come on, this is the game here, and HDTV exaggerates all the features. Yeah, I'm proud of it, because we're all doing it. Nobody's talking about it.
I would have been a lot more nervous if I would had known that Matthew McConaughey was [on 30th Annual Television Critics Association Awards] and Julia Louis-Dreyfus was there and all that, and I was like, "Wait a minute and Bryan Cranston's here..." I think I would have got more nervous. But I think thinking it was just like, "Oh yeah critics, we're good." It was great.
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