A Quote by G. Willow Wilson
I think comics are really part of The Zeitgeist. They reflect back to us the issues that we're concerned about in the time they are written.
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In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.
Women's issues have always been a part of my life. My goal is to bring the word 'feminism' back into the zeitgeist and reframe it.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
I think comics are really - superhero comics are at their best and most primal when they're about joy and flying, and about escaping the gravity of the world. But, at the same time, that's not to say all stories should be happy.
I think the Resurrection continues to be a pivotal issue, a pivotal question for people. I think a lot of other issues have been raised in interim years, about the nature of truth, of course gender issues, issues involving social matters like abortion and euthanasia and so forth, those swirl about and change from time to time, but I think the fundamental question of whether or not Christianity is true ultimately goes back to the Resurrection.
I would like us to think about it more explicitly, and not take our intuitions as the given of ethics, but rather to reflect on it, and be more open about the fact that something is an ethical issues and think what we ought to do about it.
I always thought that art that is produced somehow has to reflect the zeitgeist or the ambiance and the time and the history in which it is produced. I think it's inescapable. It's like we look back now, at work done savoring the thirties, and you can almost tell it was done during that period of time. Now maybe, that's a style of period or something, I don't know. I think my work, or the things that interest me, come out of my reaction to history.
There is a lack of interest in voting in the United States, and that troubles me. It is very necessary that people get registered, study the issues and be aware of the politics of our country. We will really be set back if people don't take the time to learn about the candidates who are concerned about the well-being of all the citizens and vote.
As far as controversies are concerned, as an actor for the first time when there was something written about me I was affected. But then I decided that this is part of my profession.
I think we should all be more concerned about the environment and the effects of global warming. It will be pointless to talk about all the issues that divide us when it's 300 degrees outside.
There are some people who have helped to advance me and other girls, but the fashion industry is always behind popular culture. They think they understand the zeitgeist. They don't know anything about the zeitgeist.
Storytelling is one of comics' esthetic hurdles at the moment, which was the novelist's problem 150 years ago: namely, to take comics from storytelling into that of "writing," the major distinction between the two to me being that the former gives one the facts, but the latter tries to recreate the sensation and complexities of life within the fluidity of consciousness and experience. As far as I'm concerned, that's really all I've been trying to do formally for the past decade or more with comics, and it's certainly time-consuming, since it has to be done with drawings, not words.
I think when you look at the diversity of the readership, all the different people who love comics, I want comics to reflect the real world, and I think Marvel does a good job of trying to do that, but I don't think there's ever an end point when it comes to creating diversity and creating stories that people can relate to.
Our folks have a lot of passion. They're very concerned about the direction of the country and concerned the record debt and deficit and what it means for their kids, concerned about the economy and the fact that we're not getting back on track with the weakest economic recovery since the Great Depression. And at the end of the day, I think that's going to make the difference.
In fairness, I don't think that everyone understands what I say, but I think they understand part of it and part of what the issues are... Just the same way that people like a good painting, I think people really like understanding, knowing about the world.
I'm not really concerned with portraying this tough warrior - I mean, that's part of my job and I take that very seriously. But I don't have anything to hide, and I'm not concerned with what people think.
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