A Quote by G. Willow Wilson
When I need guidance or just to kvetch or to bounce ideas off of people, I go to Gail Simone, who is very much kind of the den mother of all of us who are working comics.
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Being able to chuck ideas around and bounce ideas off each other with anyone I'm working with is just something I love to do, that's how most of these ideas are formed.
Almost everyone working in mainstream comics started off as a starry-eyed kid reading and loving comics. We're all fans, and that's great. But when we start working on company-owned comics professionally, we have to think like storytellers instead of fans. Editors aren't looking to hire the biggest fans of the characters. They're looking to hire the best creators with the best ideas.
I'm very much a relationship guy. I like to bounce ideas off the person that I love. I like having a real connection.
The coaches are there to bounce ideas off and stuff, but at the end of the day, they let us be us. We make our match, and we do 'us', you know what I mean?
I don't know exactly where ideas come from, but when I'm working well ideas just appear. I've heard other people say similar things - so it's one of the ways I know there's help and guidance out there. It's just a matter of our figuring out how to receive the ideas or information that are waiting to be heard.
As a teenager you bounce off your mum, they give you guidance.
You have a visceral, physical response to being in [the real] places, and the sights and sounds and the smells just bring something else out in you. You're not having to fake that or imagine that. It's there. It becomes as much an act of something you bounce off as the other people you're working with.
Why does the need to explain comics still exist? Because that prejudice still exists. It's fading, but it's still very strong. It's important to keep pushing the boundaries of what people know comics to be so that they are receptive to the whole world of comics, not just one or two genres of work.
I'm very proud of my faith. So, it's not so much (being embarrassed by it). It's just it is really personal. It's not one of those things I'm willing to compromise. I don't have to bounce it off other people. I'm not willing to take judgment on what I believe - and I would hate to not live up to it. That's just not fair.
Ectoplasmic plane? What the devil is that? (Simone) It’s jargon from those of us who are corporeally challenged. It’s the great beyond where we bounce into each other like floundering atoms. It’s really kind of gross – which is why I hang out with you. But only because you’re less gross than they are. (Jesse)
As I've grown as a creator, I feel that I want to tread in deeper waters and have a lot more going on emotionally with the characters. That's my appreciation for comics as a creator and a consumer as well. I'm more into stories that don't just bounce off the surface but go a little bit deeper.
I would ask my parents something, but then go to my siblings. We were encouraged to bounce ideas off everyone.
Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.
At one time, I was very angry. I even treated fashion like a kind of crusade: you were either with us or against us, that kind of feeling. Now I know we need ideas, not kicking down a door.
I never liked working on editorial-driven comics. I just didn't see what was the point. They don't pay well enough for me to write other people's ideas.
I really like working with drummers, I like being able to bounce ideas off drummers.
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