A Quote by G. Willow Wilson

I don't think there's something inherently irreligious about comics. — © G. Willow Wilson
I don't think there's something inherently irreligious about comics.
I don't think working in superheroes is slumming it. I'm proud of this form. I like this. There's nothing inherently masculine about power fantasies. There's nothing inherently masculine about superhero comics. There's nothing inherently masculine about mythology. About science fiction.
So far from science being irreligious, as many think, it is the neglect of science that is irreligious-it is the refusal to study the surrounding creation that is irreligious.
I kind of understood inherently - and I wasn't really conflicted about this - that comics were not for me or by people who looked like me. That was just something that I accepted about the world.
I do worry that beginning cartoonists could feel somewhat strangled by the increasing critical seriousness comics has received of late and feel, like younger writers, that they have to have something to "say" before they set pen to paper. Many cartoonists feel even more passionate about this idea than I do, vehemently insisting that comics are inherently "non-art" and poop humor or whatever it is they think it is, but that attitude is a little like insisting that all modern writing should always take the form of The Canterbury Tales.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
To say that secular means irreligious implies that all the arts and sciences are irreligious, and is very like saying that all professions except that of the law are illegal.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
I think the best science fiction, especially literature, is political in nature and is often an allegory about something problematic in our world, and it's something that makes the 'X-Men' comics so relevant - they're about xenophobia and prejudice.
I think comics are really - superhero comics are at their best and most primal when they're about joy and flying, and about escaping the gravity of the world. But, at the same time, that's not to say all stories should be happy.
I think, without question, the way someone plays sports shows something about inherently who they are, you know?
People think I have an interest in comics, but I'm only interested in comics from the '40s, like 'Donald Duck' comics.
I think there's something inherently different about working with females. I mean, it's just a different way of looking at life, being a woman. But I think we can handle many things at one time and I don't think that's necessarily true for men.
To look back and know that I have had a pivotal role in the development of comics is something I'm very proud of, although it's not something I think about unless someone brings it up.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
I think probably the first time I wanted to be an artist was when I was about six or seven years old. I used to get British comics and I clearly remember seeing my first American comic: an issue of 'Action Comics', with Superman on the cover with a treasure horde in a cave, and Lois saying something like 'I don't believe Superman is a miser!'
There's something inherently comic about the fact that politicians make things worse by worrying too much about something.
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