A Quote by Gabe Kapler
I won't step foot inside a new eatery without some strong recommendations or after consulting a site like Yelp or Urban Spoon.
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Yelp is - I mean, Yelp's not even good for looking up the restaurant's phone number because, you know, on the site, they just want you to read their reviews and look at their ads. They don't even actually want to give you the information about the restaurant or the menu.
I lifted my right foot to step up into the bus and collided head on with an invisible force that entered my awareness like a silently exploding stick of dynamite blowing the door of my usual consciousness open and off its hinges, splitting me in two. In the gaping space that appeared, what I had previously called "me" was forcefully pushed out of its usual location inside me into a new location that was approximately a foot behind and to the left of my head. "I" was now behind my body, looking out at the world without using the body's eyes.
Whenever I write a novel, I have a strong sense that I am doing something I was unable to do before. With each new work, I move up a step and discover something new inside me.
The human foot has bones and muscles and can balance back and forth. If you step and you maybe make a little mistake, your foot can compensate. But if I step in the wrong spot, my foot isn't going to compensate because it's just one piece of carbon fiber.
One [New York] eatery is a remodeled diner that looks like what Busby Berkeley would have done if only he hadn't had the money.
We set up a beta site, a test site, with movie, music and book reviews. If you're reading them and you want to buy a book or a ticket for a movie that's reviewed on the site, you can do that without leaving our site.
The secretary of defense makes recommendations, sometimes will make strong recommendations to the president of the United States. But the president, whoever it is at that time, decides, makes the call on whether or not to take that recommendation.
I feel like I have one foot in New York, one foot in London and one foot in India. But it's important to me to invest time with family.
Fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step.
I met Robert Redford at the Golden Globes because he stepped on my foot. He stepped on my foot as he was walking by, and he was like, 'Oh, I'm so sorry!' And I was like, 'It's all right. Robert Redford can step on my foot.'
Some people in Silicon Valley are as bad as the 'Koch Brothers', you know? Don't be mistaken. For every some of those, though, you get people who come up with something like 'Leafly', which does what 'Yelp' has done, but in a much more specific way, and it's important because it's the dawn of this new era.
Anybody who believes Yelp is an idiot. Most people on Yelp have no idea what they're talking about.
I was just taught very early that if I didn't solve problems, I was headed for a very dark path. Problems were everywhere. Now, even if there are no problems, I look for problems. I'm like, 'You know what? I don't like the way this spoon works. I want to design a new spoon.'
We would like to have a great future, so we need to think about the urban philosophy, the urban problems, and the construction of the city. That's the new politics, maybe.
That's the power behind a tool like Facebook Connect. It is making a Web without walls. Facebook allows you to go to other sites to comment, rate, etc., without having to set up a new profile for that site.
I try to be after something that is deeply reverberating inside of our souls, some deep echo from - even from prehistory. What makes us humans? How do we communicate? Where are we going at this moment? Something for an audience where they can step outside of themselves, where they can be almost like in ecstasy of truth, some sort of deep illumination. And that's what I'm trying in documentaries and in feature films.
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