A Quote by Gabe Kapler

A pitcher's windup and throw is an explosive, coordinated full-body movement. They perform the move once, then rest, then perform it again. There is nothing aerobic about it.
You get nit-picked in the media. Stats are always up saying he doesn't drive it straight enough or hit enough greens or whatever it is. Then you have to perform, because if you don't perform, then you're off the Tour.
I was wholly at peace, at ease and at rest, so that there was nothing upon earth which could have afflicted me. This lasted for a time, and then I was changed ... I felt there was no ease or comfort for me except faith, hope and love, and truly I felt very little of this. And then presently God gave me again comfort and rest for my soul ... And then again I felt the pain, and then afterwards the delight and joy, now the one and now the other, again and again, I suppose about twenty times.
When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.
I use my single windup, my double windup, my triple windup, my hesitation windup, my no windup. I also use my step-n-pitch-it, my submariner, my sidearmer and my bat dodger. Man's got to do what he's got to do.
My thinking is that once the captain sends you at a particular number, then your job is to perform and get runs at that number. Nothing else should matter.
Yes, you tend to lose patience but selection is not in your hands. All you can do is perform, perform and perform and that's what I enjoy doing.
I'm very excited to once again perform the National Anthem at Michigan International Speedway for the GFS Marketplace 400. The fans at MIS have always been great to me and it is always an honor to perform for them, whether it's a concert or the National Anthem.
If private men are obliged to perform the offices of government, to protect the weak and dispense justice, then the government becomes only a hired man, or clerk, to perform menial or indifferent services.
Once you're on the pitch and you've put the shirt on, it's then down to you to perform and play well.
I grew up doing sitcoms and theater and even playing with the Beach Boys, where you're programmed to perform, your body gets into a rhythm and you know it has to perform.
It has to be really interesting for me to perform the same role for 365 days non-stop. It becomes taxing for an actor to perform the same character for 12 hours every day, and then, after a point, there's no growth.
In my mid-twenties, I said to myself: 'I can't perform anymore!' I didn't know what I wanted to do. I didn't perform for a while, then ended up doing a one-woman show about Gilda Radner having cancer. It was called 'Gilda Defying Gravity,' and I did it on the Lower East Side. It was great; people really came out and supported me.
Every year you have to perform and win. There is nothing new for me as far as I am concerned. But the truth of the matter is you do have to perform, you do have to produce.
The opportunity to perform. It's just the feeling of anticipation and then once you're in the middle of it - you get in the zone. That's what you hope for.
My philosophy is that I'm an artist. I perform an art not with a paint brush or a camera. I perform with bodily movement. Instead of exhibiting my art in a museum or a book or on canvas, I exhibit my art in front of the multitudes.
I had a role in 'Crossroads' when I was about 21, and then I went on to perform in 'Small Change' and then 'Piaf' in the Donmar Warehouse, London, and it was when I was there that some casting directors spotted me.
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