Sports is like literature. People watch it and if it's beautiful and it's non-violent, whatever messages that you see, people can read into it and say, "Wow! You know what? Whatever they're doing over there, it's extraordinary, and maybe that culture is superior to ours in certain ways."
I think it's better when you're natural, when you just do whatever you want, instead of doing classes where I see all these other people holding back because they've been trained with certain skills or techniques. I'm like, whatever.
If you buy a Cartier ring you want people to know it is a Cartier ring or a diamond, or a piece of art that's giving an emotion - then people read it and say, "wow that's really amazing". With prêt-à-porter you see people in the street, in a club, in a restaurant or whatever, and you think, "Oh my god, he's wearing my trousers!" In a way it's more open - people can put together the way they want - mixed with other designers.
If they watch me play, people will say I'm not into it or whatever. That's okay. I kind of like it. People don't know how much work I'm putting into it. They don't need to know.
Whatever you say about popular culture, people like people who know things, who are experts, and it doesn't particularly matter what they look like.
I don't even want to be on Twitter. I think it's abhorrent, people sending messages to say they're doing the washing-up or whatever.
I'm not very nostalgic, you see. I just don't think anybody has that kind of thing anymore. By culture, by breeding, by whatever, it's not there. The kids today-what the hell are they going to be? I like young people - yes, I do. But when I talk to people at the schools, and they say, "I saw you on the Twit," I don't even know what they are talking about.
[When the Gospel seems to be interpreted in different ways] is the obvious challenge, perhaps even danger, here. By its very nature as a custodial office, the papacy can't be a Rorschach test, into which people read whatever they like - whatever they fear or hope for.
Culture is an abstraction; it cannot actually be seen or touched.... We see people acting in agreed-upon ways in the face of similar situations...we notice people moving their bodies in certain ways - making choices in their lives about where to live, what to eat, how to learn, how to work and love - in response to similar events and experiences, and say: "oh, these people belong to the same culture".
I know that some of the finest writing I've ever read has been sports writing, whatever the topic was, whatever the sport they were writing about. It seems to be an area where people are allowed a little more leeway than when they're reporting on traffic jams and city-council meetings.
I know how people see me. People see me as a rebel. People see me as maybe even ignorant. People see me as a threat or rude or whatever. It's a lot of people who just don't know me.
Sometimes you just wanna go out, see your action movie, be done with it, come home. You know, and, like, you see 'The Matrix' or whatever, you see whatever film it is, and you're like, 'Oh cool,' whatever.
Whatever show I go to, no matter what it is - and I go to a lot of them - people say, 'Wow, I'd never expect to see you here.' I always say, 'Where do you expect to see me?'
I'm a critic. That means you are a writer. So, yes, you have to make yourself an authority on whatever subject it's going to be. Music, movies, literature, whatever it's going to be, but what you really want to do is learn your trade by reading other writers. I think you have to read veraciously, especially people who have done what you have done to see how it's been done in the past; what works, what doesn't work.
If I'm around people I don't know well - if I'm at a bar or I'm hanging out with a group of people I don't know or whatever - I'm quiet. I don't say a lot. I listen. I watch. I observe.
I know where my weaknesses are. I am not as athletic as other point guards in the league. I can't dunk over people. Maybe I'm not a good shooter, or whatever they say. But I know my strengths and that is helping my team to win by knowing exactly every moment what to do.
I've realized that I kind of ignore the sets. When I say I ignore them, I can obviously see them, and I'm like, Wow, this is amazing,' but then I get on to whatever we're doing.