A Quote by Gabourey Sidibe
I think you think that phone sex is about getting the caller off, but it's about keeping the caller on. It's about leading with your personality and making sure that they're still listening to you and that they're still interested in you because you cannot make money when they hang up.
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I think, you know, the people that have seen my work, I think it speaks to the possibility of getting better, and, I'm sorry, I'm still on the last caller.
In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place.
I've occasionally wished I had Caller ID. Even telemarketers, I hate to hang up on them. I try to explain I'm not interested, but they have all these canned responses so I end up having to hang up on them anyway.
The record industry is still pissed off that other people are making money off their business, even if it promotes their products and increases their sales. I think they're still mad about radio.
If you're a waiter, the worst thing you can do is go to work resenting your job. This will sound trite - but it's the reality, and part of my personality - yet when I was a waiter, I tried to be the best waiter, and when I was a bingo-caller I tried to be the best bingo-caller.
Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
When you are starting out in your 20s, it is natural to think about all that you will have and do once you start making money, and making more money. That gives money way too much power over your life. It's not about how much you make, but the life that you make with the money you have.
Turning pot handles the other way around on the stove, making sure you talk with your family and kids directly about fire safety and about kitchen safety, keeping your tree at least three feet from a heater or any kind of lights or flames, making sure that candles aren't left unattended. It's all things that we should know and we think about initially, but during the holidays, in the commotion it seems to get kind of lost.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.
I still haven't found the humor in getting hit by a cement truck. My knees still hurt when I think about it, so no jokes about that yet.
I think, living in America, we're so bombarded with God all the time that in certain ways I'm making statements against that bombardment, you know? I think it's crazy. I mean, I don't believe in God. I don't believe in anything. But I still think about it. And I still write about it.
It’s okay to show up at a guy’s house with a dozen roses and declare your undying affection. It’s okay to have too much to drink and call your ex twenty times and then to be mortally embarrassed when you realize your number must have shown up on his caller I.D. It’s okay, because making a fool of yourself for love is ultimately about you, how much you have to give and the distance you will travel to keep your heart wide open when everything around you makes you feel like slamming it shut and soldering it closed.
I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
I'm still an obsessive personality, and I still think I'm right, and I still believe my literary balls hang far lower than nearly anyone else's alive.
What's missing is the music. I'd like to rant on and on about the music, the mechanics of it. It's what I think about 90 per cent of the day. I don't think about getting high all the time. I guess I do think about sex a lot, though...
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