A Quote by Gabriel Ba
The German and the Brazilian market is small. When we went to France they know a lot more, than just the American comics. The audience there was much different.
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I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.
A lot of folks are still demanding more evidence before they actually consider Iraq a threat. For example, France wants more evidence. And you know I'm thinking, the last time France wanted more evidence they rolled right through Paris with the German flag.
I'd love to find a really good Brazilian project, an up and coming director or something. I wouldn't want to do the typical favela story, Brazilian cinema has a lot more to offer than just that.
Americans are much more American than they are Northerners, Southerners, Westerners, or Easterners ... California Chinese, Boston Irish, Wisconsin German, yes, Alabama Negroes, have more in common than they have apart ... The American identity is an exact and provable thing.
There are a lot of Chinese comics, but the Chinese comics tend to be more historical and conservative. Japanese culture, just the comics are amazing. They're like films: very few words; they move so much in these books with hundreds of pages.
'Teen Vogue' is so much more than just a magazine. It's so much more than just a website. It's so much more than social. It's really about the audience, and so we're going to continue to innovate and continue to find new ways of reaching this audience in meaningful ways.
I'm not more Brazilian than I am American or vice-versa - I'm very much a combination of all of those things.
When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
German predominance is not all-encompassing. In foreign affairs and military matters, for instance, France and Britain still play a much bigger role. But across a large swathe of European policy, Germany has become much more than a first among equals.
German can take a lot more pathos than English can. When you say "pathetic" in English it's a disparaging term, but when you say "pathetisch" in German it's just a description, not necessarily negative. That says a lot already.
I grew up in the small German village of Bosingen, which is located between Black Forest and the state capital of Stuttgart. And when I say small, I mean small. In our village, there were no more than 1,700 people. And we all loved football, but there weren't a lot of places for us boys around town to play in.
Just in higher education alone, more people go to college now, by enormous amounts, than went to college in the '50's and '60's. So that represents a whole new literate public that's a consumer of literature, of news, of print, of, you know, opinion. And that's a bigger audience and much more diverse audience than it used to be.
I do enjoy them. I get to meet the next generation of comics and help them out. Big comics doing small shows was something that used to happen a lot more back in the day. I wish there was more of that.
The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say 'sophisticated.'
The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say sophisticated.
When 'American Born Chinese' started getting a lot of attention, I freaked out a little bit because I realized that up until then I had just been doing comics by following my gut. I didn't really know much about plot structure or anything; I kind of just followed my gut.
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