A Quote by Gabriel Byrne
I'm a product of my Irish culture, and I could no more lose that than I could my sense of identity.
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I think women are in much the same place in the Irish theater as they are everywhere else. Certainly, we have wonderful Irish writers, and we have quite a number of Irish women directors. But there could be more, and there should be more.
I made a vow that I wouldn't be tempted by what could happen to me if I went to Europe. I thought, 'You could be absorbed in it - it's so seductive, you might lose your own search for identity.' Then, when I did finally go to Europe, I was able to resist it because I had established my own identity.
After the first establishment of identity there comes the imperative need to lose this new-found sense of separateness and to belong to something larger and more powerful than the weak, lonely self. The sense of moral isolation is intolerable to us.
I believe, as a Puerto Rican, that the majority of Puerto Ricans want to be Puerto Ricans. Once we become annexed to the United States or by the United States, that we will lose our national identity. I can look at Hawaii as an example of people who lose, the Natives who lose their identity. I can look into the Native American reservations and see people who lose their national identity, their culture, their language, their land. And that's what's going to happen to Puerto Ricans here.
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
More than anything, the journal wanted. It wanted more than it could hold, more than words could describe, more than diagrams could illustrate. Longing burst from the pages, in every frantic line and every hectic sketch and every dark-printed definition. There was something pained and melancholy about it.
casino owners spoke more loudly than any of the other kings of industry to defend their contribution to society. They could speak more loudly because theirs was the purest activity of civilized man. They had transcended the need for a product. They could maintain and advance life with machines that made nothing but money.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of the culture, and it's the name of the identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls.
That's one of the things I always tried to do as champ. If you saw me at house shows, I was going to make you think I was going down. If I was wrestling Kane, I could lose. I'm wrestling Batista, I could lose. I'm wrestling Big Show, Undertaker, you name it, I could lose.
It was impossible for me to believe that conditions in Europe could be worse than they were in the Polish section of Chicago, and in many Italian and Irish tenements, or that any workshops could be worse than some of those I had seen in our foreign quarters.
The more you learn about someone, how could you not want to protect them and their rights? The more you learn about a culture or a certain identity, it's hard to not feel empathy.
I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity.
If a man has a sense of identity that does not depend on being shored up by someone else, it cannot be eroded by someone else. If a woman has a sense of identity that does not depend on finding that identity in someone else, she cannot lose her identity in someone else. And so we return to the central fact: it is necessary to be.
I think there are lots of opportunities to improve the product. When you read the press, people say, "Oh, the product needs improvement." I look at that and say, "Hey, that's an exciting thing to get behind!" Because they can improve that product. That leaves more upside from an innovation and revenue potential than you're gonna find in a lot of places. So you could say that's a downside, I see that as an opportunity.
Depriving the oppressed of a beacon of hope could lose us the world we have built and thrived in. It could cost our reputation in history as the nation distinct from all others in our achievements, our identity, and our enduring influence on mankind. Our values are central to all three.
I think that hip-hop should be spelled with a capital "H," and as one word. It's the name of our black people culture, and it's the name of our identity and consciousness. I think hip-hop is not a product, but a culture. I think rap is a product, but when hip-hop becomes a product, that's slavery, because you're talking about people's souls. To me, that's the biggest problem.
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