A Quote by Gabriel Campisi
Today the challenge is not visuals, but to be able to tell a riveting emotional story, something that can reach deep down inside the audience's heart and twist it like a toy to make them laugh, cry or jump out of their seats to root for the hero.
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Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
On stage, it is a tremendous thing to be able to make people laugh. But one of the things that I have always loved is when I am in shows where you can turn the audience upside down and make them cry or move them. That is when things are the most rewarding.
Bitterness is like a weed. Remember how hard it always was to pull out thistles once they root? Remember how deep those roots grow, and how if you just snapped off the end of it, the plant would grow right back? You have to dig down deep inside. Let God search your heart. Let Him show you what's there and help you root out all that bitterness. Then you can pray for forgiveness.
To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.
The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
What I've realized is that a film operates both on the intellectual and emotional levels, and if you can find a way to tell a riveting story and draw ideas out of that, it's very powerful.
For me, that emotional payoff is what it’s all about. I want you to laugh or cry when you read a story...or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.
I've always wanted to entertain people, or make them smile, or tell a joke that would make them laugh. I don't think there was this deep down burning passion to be an actor.
If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.
My dream role would be a role that is entertaining and 'massy,' and it should be able to make people laugh and cry and make the audience scared of me and then make them fall in love with me again.
I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theatre than when it came in.
Whites who otherwise were able to tolerate a black president, Obama, because on certain issues he appealed to them on substance, Trump was able to reach down into some of those same people and pull out this racism inside them.
With television, attention spans have been shortened. It's something we have to fight against: the dumbing down of the audience. To be part of an audience is a privilege. To be with the people on stage, to let them reach you. If you're doing a million other things, they won't reach you.
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