A Quote by Gabriel Campisi
Today, with computer-generated visual effects, everything is possible. So we've seen everything. If it can be imagined, it can be put on screen.
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Computers were never designed in the first place to become musical instruments. Within a computer, everything is sterile - there's no sound, there's no air. It's totally code. Like with computer-generated effects in movies, you can create wonders. But it's really hard to create emotion.
The thing with computer-generated imagery is that it's an incredibly powerful tool for making better visual effects. But I believe in an absolute difference between animation and photography.
In Chaos Magic , beliefs are not seen as ends in themselves, but as tools for creating desired effects. To fully realize this is to face a terrible freedom in which nothing is true and everything is permitted, which is to say that everything is possible, there are no certainties , and the consequences can be ghastly.
CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them. The way we did it, everything was actual photographed images. A lot of that stuff was shot through a microscope of chemical reactions, yeast growing, lots of weird things, by Peter Parks. We put it into a computer and collaged it, manipulated it. Meaning we digitally shaped it to fit with other images. But there was no computer-generated imagery at all.
The final battle of 'Eclipse' kind of blows the socks off everything we've seen earlier in the series, because you finally have wolves interacting with humans and vampires in a way that's really sophisticated visual effects that we're doing in it.
If we stop for a moment, it is possible to perceive a pattern in our lives; the motivators that have influenced us become more obvious. We are able to see life unfolding from BOTH ENDS AT ONCE, coming into the present moment. But until we have got to a certain point of realization, this is not possible, because everything is still seen as a series of apparent causes and effects.
We have grown up in an age where there is nothing that cannot now, courtesy of computer-generated imagery, be convincingly rendered in the visual field.
We can rejoice and celebrate today because we are living in a miraculous time. Everything is changing and everything is possible.
I have gotten everything from a one-page letter written in pencil to a 50-page computer generated masterpiece.
CGI is done after the film is done. It's through the computer. Most of the film is not computer-generated special effects. Most of it is that creature that is in the room with you.
I was very intimidated by the visual effects world. But I began to realize that you don't have to know everything. You have to be able to talk about story.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
Alfred Hitchcock had to find ways to create tension without showing it, but now with computer-generated effects you can show anything.
In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
I worked for seven years doing computer graphics to pay my way through graduate school - I have no romance with computer work. There's no amount of phony graphics and things making sound effects on the screen that can change that.
The world is not yet finished, but everyone is behaving as if everything was known. This is not true. In fact, the computer world as we know it is based upon one tradition that has been waddling along for the last fifty years, growing in size and ungainliness, and is essentially defining the way we do everything. My view is that today’s computer world is based on techie misunderstandings of human thought and human life. And the imposition of inappropriate structures throughout the computer is the imposition of inappropriate structures on the things we want to do in the human world.
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