A Quote by Gabriel Campisi

I spent several years in the film finance business, but I returned to what I loved most about the industry - actual filmmaking, producing, writing and directing. — © Gabriel Campisi
I spent several years in the film finance business, but I returned to what I loved most about the industry - actual filmmaking, producing, writing and directing.
Several years ago, as I was transitioning from film finance to film production and writing again, someone asked me how long I would try to get back into filmmaking before I gave up? My response was "giving up" was not an option.
I've learned so much from just being in film industry. I definitely want to stay in front of the camera and learn more from as many people as I can. Somewhere down the line, writing, directing and producing would be fantastic.
I've travelled a huge amount, but almost all of it has been through work. I spent five years stationed in London in the special services of the American Air Force, producing and directing shows for the troops, which I absolutely loved.
Be ruthless about protecting writing days....althoug h writing has been my actual job for several years now, I still seem to have to fight for time in which to do it.
I worked in finance for 14 years, and I loved it. But after the financial industry, I thought a lot about, 'Do I love what I'm doing?'
My dream would be producing, maybe directing - definitely not writing - one feature film.
I think that directing is the ultimate martyred task of filmmaking, that it has nobility to it. It takes three years to make a film, for the most part. I think it requires the attentiveness of a mother hen.
Once I hit 25, I realized I had to do more than just be an actor. I love acting, but there's something that makes it difficult to just be a man, a grownup. Not to take away from any actors, but I knew I wasn't going to be Tom Cruise. I knew I was a character actor, which is great and I'm proud of it. But I knew that I wanted to do more. I started producing and directing and writing and stuff for the theater, and then that grew out of hand and I sort of lost my control. I've always loved the process of filmmaking. Now I'm much more into producing docs, but I want to direct features.
I guess what I enjoy most is directing, because it incorporates all aspects of filmmaking. Directing is in the same line as acting - both are popularity contests, and in both you're trying to tell a story through the film as a medium.
I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I loved theater and went to Circle in the Square's post-graduate program for two years and studied acting and directing and I loved it. I loved acting and directing - I really like directing a lot. Some days I think maybe someday I'll go back and direct something.
I never had any connection with film or TV until I went into the business of supplying animals. It's an interesting business because you spend every day of your life on set watching other people directing and producing. It was an eye-opener.
I spent several years acquiring the obsessive, day-to-day discipline that's needed if you want to write professionally, then several more, highly valuable years studying fiction writing at the University of Iowa.
There is a growing literature about the multitude of journalism's problems, but most of it is concerned with the editorial side of the business, possibly because most people competent to write about journalism are not comfortable writing about finance.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
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