A Quote by Gabriel Garcia Marquez
a process of aging had taken place in him that was so rapid and critical that soon he was being treated as one of those useless great-grandfathers who wander about the bedroom like shades, dragging their feet, remembering better times aloud, and whom no one bother about or remembers really until the morning they find them dead in their bed.
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...until that moment I had not understood that this was a story about lonely people, about absence and loss, and that that was why I had taken refuge in it until it became confused with my own life, like someone who has escaped into the pages of a novel because those whom he needs to love seem nothing more than ghosts inhabiting the mind of a stranger.
I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.
But it struck him that people are not really dead until they are felt to be dead. As long as there is some misunderstanding about them, they possess a sort of immortality.
Somehow, I had the feeling that I was responsible for Harry being dead. I remembered all the times that I wished he were dead, all the times I had dreamed of killing him. I got to thinking that maybe my wishing had finally killed him.
You can make a global film, which affects so many countries and affects sort of this worldwide epidemic, but it has, zombies are great metaphors for the times we live in today and that's what I always find fascinating about them, but then it's like the walking dead, you know, the unconscious, and the metaphors for them are just really something I was inspired by.
He was about to go home, about to return to the place where he had had a family. It was in Godric’s Hollow that, but for Voldemort, he would have grown up and spent every school holiday. He could have invited friends to his house. . . . He might even have had brothers and sisters. . . . It would have been his mother who had made his seventeenth birthday cake. The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him.
Have you heard about the morning after pill, or what I like to call breakfast in bed. Well have you heard about how some of the girls who have taken have died a few days later? Talk about two birds, looks like I will be going to the game this weekend boys.
I came to what I think of as the critical problem: the aging process of a piece of music. I noticed in the '70s that pieces I wrote would sound great the first time I listened to them and then on repeated hearings they sounded older and older until what seemed exciting and vibrant on first listening became stale.
I think about how much depends upon a best friend. Then you wake up in the morning you swing your legs out of bed and you put your feet on the ground and you stand up. You don't scoot to the edge of the bed and look down to make sure the floor is there. The floor is always there. Until it's not.
We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.
I think what I've tried to do is make the world a better place. I think that's what's really important. Nobody remembers who sold the most togas in Rome. In terms of legacy, people remember the great villains more than they remember the great heroes. So I think how you feel about yourself is the most significant question. What do you say about yourself when you put your head on the pillow? Are you really proud of what you're doing and the way you're doing it? I think it's really a fundamental question.
Long ago, when Harry had been left alone while the Dursley's went out to enjoy themselves, the hours of solitude had been a rare treat: Pausing only to sneak something tasty from the fridge, he had rushed upstairs to play on Dudley's computer, or put on the television and flicked through the channels to his heart's content. It gave him an odd empty feeling to remember those times; it was like remembering a younger brother whom he had lost.
I think they [Martin Scorsese, Johnny Carson, Frank Sinatra] liked my honesty. My personality. For that, they always treated me great. I, in turn, treated them great. No secret about it. My being who I am - that is that.
When someone's really sick and their family is tired and concerned about what will take place, those are the times that they need a support group around them to take care of them as a human being.
It is better not to become acquainted with men about whom you have formerly had doubts. No matter what you do, they will be people by whom you will be tripped up or taken in.
I don't know what I can do about the aging. Yes, I am aging. Oh my God, I'm aging all the time. It's like those flowers that wilt in front of you in time-lapse films. But what can I possibly do? Look like a lunatic?
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