A Quote by Gabriel Garcia Marquez

It was a lone voice in the middle of the ocean, but it was heard at great depth and great distance. — © Gabriel Garcia Marquez
It was a lone voice in the middle of the ocean, but it was heard at great depth and great distance.
From a distance the world looks blue and green, and the snow-capped mountains white. From a distance the ocean meets the stream, and the eagle takes to flight. From a distance, there is harmony, and it echoes through the land. It's the voice of hope, it's the voice of peace, it's the voice of every man
'Selma' is a story about voice - the voice of a great leader; the voice of a community that triumphs despite turmoil; and the voice of a nation striving to grow into a better society. I hope the film reminds us that all voices are valuable and worthy of being heard.
Germany's greatness makes it impossible for her to do without the ocean, but the ocean also proves that even in the distance, and on its farther side, without Germany and the German Emperor, no great decision dare henceforth be taken.
I don't think that I'm a lone voice. I'm not even interested in being a lone voice.
I cannot judge my work while I am doing it. I have to do as painters do, stand back and view it from a distance, but not too great a distance. How great? Guess.
One voice is tiny, and alone it cannot be heard above the din of politics as usual. The peoples voice, when it cries as one, is a great roar.
I've heard people say that the trouble with the world is that we haven't enough great leaders. I think we haven't enough great followers. I have stood side by side with great thinkers - surgeons, engineers, economists; people who deserve a great following - and have heard the crowd cheer me instead.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
You as a salt-being, made of salt, go to fathom the depth of the ocean, and in the process you yourself dissolve. A great maharishi once said that true meditation is like this.
I've never bought this idea of taking a therapeutic distance. If I see a student or house staff cry, I take great faith in that. That's a great person; they're going to be a great doctor.
Balzac, you know, our great Balzac, he wrote interesting things about how in literature you keep distance in order to express great feelings. You have to keep a distance - and it's exactly the same with acting.
A near win shifts our view of the landscape. It can turn future goals, which we tend to envision at a distance, into more proximate events. We consider temporal distance as we do spatial distance. (Visualize a great day tomorrow and we see it with granular, practical clarity. But picture what a great day in the future might be like, not tomorrow but fifty years from now, and the image will be hazier.)
To me, the art of cinema is the same as the art of painting. The artist takes a 2D medium and gives you the illusion of depth. If you look at any of the great paintings, you have the illusion of depth. Which is part of the art. The same with the great movies.
What use having a great depth of field, if there is not an adequate depth of feeling?
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything.
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