A Quote by Gabriel Iglesias

When I go to dance clubs, I always dance with big girls, so we finish at the same time. — © Gabriel Iglesias
When I go to dance clubs, I always dance with big girls, so we finish at the same time.
If we seek the real source of the dance, if we go to nature, we find that the dance of the future is the dance of the past, the dance of eternity, and has been and always will be the same... The movement of waves, of winds, of the earth is ever the same lasting harmony.
Everyone tries to get you to dance at clubs. They come up to you and say "You gotta dance! you gotta dance!" And then I dance, and they're like, "Not like that!"
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
I go to studios and dance all the time. And that's something that will always be instilled in me. That was always my first passion from the time I was 3 years old - dance.
The Marquesan girls dance all over; not only do their feet dance, but their arms, hands, fingers, ay, their very eyes seem to dance in their heads.
The tango is a very interior dance. It's not an exterior - it's not flashy and all over the floor. It's a very interior dance when you see the old guys dance in the clubs. I learned everything from the old guys in the clubs.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship. Only later did I discover that you dance joy. You dance love. You dance dreams.
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
I am reminded of a story of Lord Krishna when he was a cowherd. Every night he invites the milkmaids to dance with him in the forest. They come and they dance. The night is dark, the fire in their midst roars and crackles, the beat of the music gets ever faster - the girls dance and dance and dance with their sweet lord, who has made himself so abundant as to be in the arms of each and every girl. But the moment the girls become possessive, the moment each one imagines that Krishna is her partner alone, he vanishes. So it is that we should not be jealous of God.
I make dance music because I love to dance. But I want to think at the same time.
I met my first dance partner when I was about 17 or 18 and we were married by the time we were 18 or 19, I don't remember the exact date, and everything was dance, dance, dance. Then there came just a short space of time where I was wondering whether I was missing out on anything. Back then when you danced, everybody married their dance partner.
In our house, everybody is always dancing around and singing. We have a dance floor outside at our house, a big, huge dance floor that we all dance on.
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
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