A Quote by Gabriel Iglesias
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
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My first sales assessment, they tell you your strong points, and they told me I was the emotional salesman, the one who could really connect with people by making them feel comfortable. Once someone told me that, I couldn't get past how manipulative it made me feel.
People are so fearful about opening themselves up. All you want to do is to be able to connect with other people. When you connect with other people, you connect with something in yourself. It makes you feel happy. And yet it's so scary, it makes people feel vulnerable and unsafe.
People are so fearful about opening themselves up. All you want to do is to be able to connect with other people. When you connect with other people, you connect with something in yourself. It makes you feel happy. And yet it's so scary - it makes people feel vulnerable and unsafe.
I wanted people to connect to me on that level where I can write about anything, but it would still make someone feel a certain way.
There are more people that are WORTH playing for and making records for than the fickle and casual - they just don't blog about what they hate as much. I feel like every show that we play live reminds me of why I play music. When you're away from that personal connection, you can get wound up in all the hoo-ha about this and that, but when you get out there and connect with people, you can't help but be moved, and that keeps you going at least until the next show!
I guess I'm attracted to people who are singing about love or life, and they have a particular passion that I can connect with. There are people I can tell are amazing, but I can't connect for some reason. It doesn't really make sense why you connect with someone or you don't.
When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
I connect emotionally to these songs. I mean what I say when I say it, and that allows your audience to connect. That's the number-one reason why any music is successful, because you make people feel something.
I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
I'm more likely to not invite someone back for not talking. If someone talks a lot, I can usually shut them up and control them. But with people who don't talk, if they don't really want to talk, they probably shouldn't be on this show, and that's fine. They're talented people with things to say, but sometimes people say what they have to say through other means than arguing.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
When I come up with something that I feel like people will connect with that makes me happy because I know that it would be something that would just go beyond me.
I've had people come up to me after the show and say, 'Why did you not make fun of Pakistan?' People are actually upset you didn't talk about them.
I was mostly bullied by my classmates. People would come up to me and say, 'You're so dark.' I'd always fight back by calling out one of their insecurities, like, 'Well, you have a big nose.' Today, I'd tell them that I really love them. I'd thank them because they made me realize how unique I am.
Among the many things that profoundly impress me about the Dalai Lama, quite high up on the list is his ability to say "I don't know". I've often wished that other people in prominent positions wouldn't feel the compulsion to have an answer for everything and would feel equally free to say "I don't know." It's a sign of wisdom to know that you don't know and a sign of stupidity to think that you know everything. I admire it enormously in him, and wonder why so few people in leading positions reach that stage.
Successful people just don't let failure define them or keep them from doing what they want to do. For example, I'd have people come up to me after my shows, and they'd say they want to do stand-up but are scared they're going to fail. I'd tell them, "You are going to fail, and anyone who is success has powered through many, many failures."
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