A Quote by Gabriel Iglesias

When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining. — © Gabriel Iglesias
When I was a kid I did impressions and funny voices a lot. When I was telling a story I would use the voices to make it more entertaining.
Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
Often, particularly with voices, you're hearing horrible things, demon voices, and voices telling them that they're not worth it or that they're going to kill somebody. In those moments, they're overcoming things.
Particularly in television, we can stereotype ourselves. You realize that we all have a lot of voices in our head. We have angry voices, we have voices of doubt, and we have moments of strength.
People see my impressions as a great skill and I am flattered, but there are things I can't do that everyone else can. I can do funny voices and funny faces but I can't drive.
I went up on stage, and said, "Why did the chicken cross the road? To check out the chicks." I was a genius at 10. Try telling that at 21, and you look hacky and stupid. That was the only joke I've ever told. Everything since has been character voices, doing impressions or just telling stories.
I feel like there's so many voices, and it's necessary for there to be a lot of different voices because we can't all like the same art. That would just be so boring... If anybody wants to hear it, I'm here. It makes for a more interesting world for there to be more than one kind of singer.
When I was a kid, during those days, you couldn't use instruments. It was against the pastor's religion, so all the singers would make these instruments with their voices. It was just unbelievable. I couldn't explain it.
When I walk to the ring, I hear voices telling me what to do and sometimes it's not the right thing, but it's definitely damn entertaining.
The voices of the residents of Flint did not get heard by people that were making decisions and I think that's the most important thing. I want to make sure those voices are answered in the future.
In a thousand voices singing the Hallelujah Chorus in Handel's "Messiah," it is possible to distinguish the leading voices, but the differences of training and cultivation between them and the voices in the chorus, are lost in the unity of purpose and in the fact that they are all human voices lifted by a high motive.
A lot of times in comedy, and also in podcasting and television, there are different kinds of voices that can be celebrated. So you can have 'Insecure' exist, you can have a '2 Dope Queens' exist, you can have 'The Mindy Project' exist - very distinct, funny voices from women and from people of color.
I had a moment where I realised I could do silly voices, that lots of people I knew couldn't do silly voices, and that thus I must be able to make money doing silly voices.
In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
I am completely turning into my mom. Me, trying to be stern, is her. Or when I make silly voices. My mom always uses weird voices if she's talking to a kid or a dog. I'm the same person - completely my mother.
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