A Quote by Gabriel Iglesias

I'm always very happy to talk to people. I relate to people, and the guy on stage is very much the guy that's off stage. People know when it's fake. — © Gabriel Iglesias
I'm always very happy to talk to people. I relate to people, and the guy on stage is very much the guy that's off stage. People know when it's fake.
I take that stage, and I'm the same guy backstage as I am on the stage. And you know what that guy is. That guy is a star. That guy is a champion. That guy is the guy that put '205 Live' on the map.
Very rarely do I talk off the top of my head on stage. I'm not an improv guy. I'm a writer-guy who presents what he's written.
I think what people respond to, and what they're responding to so strongly, is I'm very myself on stage. What you see in person is very much who I am on stage.
Actresses are such very dull people off the stage. We are only delightful and brilliant when we are doing what we are told to do. Off stage we are awful chumps.
It's basically taking a 911 call, bringing them on stage and dealing with it just like when I was a Chicago policeman for 12 years. I personally become involved. Where Jerry lets people tell their story and lets everything happen on stage, I kind of go after the bad guy and protect the little guy.
Even before I did stand-up, I've always been the kind of guy - and I talk about it on stage - who says I like people and I always look for the good in people. I say, 'Every person has something good about them, if you can just find it.'
I live on a boat two months out of the year, and if I did not have that then I don't know how I'd be able to handle all this.... I am a very intense person on stage. I have to remember why I am there, what I am doing. You can spend all day backstage preparing for the show and lose sight of why you are doing this. Off stage, I am a very simple kind of guy. I live my life in flip-flops.
Patience is probably the hardest thing I've had to learn in tryin' to love a girl. My lifestyle is very fast-paced; I'm always goin' somewhere, always on stage, and when I perform I perform at a high intensity. Sometimes I carry that energy off of the stage, into my private life. Sometimes I encounter girls who want me to take my time. When you're such a fast-paced, in the fast lane kinda guy, you don't really take the time that's necessary; you're like, "I want it now! If you can't give it to me now, well then." And from that, you end up losin' a lot of great people.
For me, comedy is constantly presented as this fake casualness, like a guy just walked on stage going, 'This crazy thing happened to me the other day.' And he's in front of 3000 people, and he's acting like an everyman, and he's getting paid so much money.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
In fact I've reached the stage where I look at people and say - he or she, they are whole at all because they've chosen to block off at this stage or that. People stay sane by blocking off, by limiting themselves.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
I'm not an angry person, just very disappointed and contemptuous of my fellow humans' choices - and on stage those feelings sometimes are exaggerated for a theatric stage - you're on a stage you have an audience of 2500 or 3000 people: you need to project the feelings, the emotions it's heightened, and people mistake it for a personal anger but it's more dissatisfaction, disappointment and contempt for these things we've settled for.
I'm a stage actor. You know, I was - I cut my teeth on stage, you know. So I've always had a love affair with the stage, first off, what I was raised in, you know.
A lot of people look down on people who are successful, but Conor McGregor is successful because he runs his mouth and he knows how to put on a show. I mean, look at his press conferences. I mean, come on. People show up just to see him just act nuts. Hats off to that guy, he's a very intelligent, very smart guy.
I hope that people can relate to my music, it's very relatable, it's very fun, it's very honest. It's very, very, honest. I know that my fans will probably learn a lot about me by listening to my music, if they really listen to the lyrics. I'm sure they'll learn about a new side to me, it's all very honest, I don't put on any... there's no fake-ness to it, it's very real and I hope my fans can relate to it and that it's enjoyable for all ages.
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