A Quote by Gabriel Jesus

We must always give preference to the collective. We have to play as Brazil. Nobody is a lone protagonist. — © Gabriel Jesus
We must always give preference to the collective. We have to play as Brazil. Nobody is a lone protagonist.
At Brazil, we play as a collective, something that also happens in Barcelona, but not at Real Madrid.
When Brazil take part in any competition they must always play to win.
To give preference to the life of a being simply because that being is a member of our species would put us in the same position as racists who give preference to those who are members of their race.
You must remember always to give, of everything you have. You must give foolishly even. You must be extravagant. You must give to all who come into your life. Then nothing and no one shall have power to cheat you of anything, for if you give to a thief, he cannot steal from you, and he himself is then no longer a thief. And the more you give, the more you will have to give.
Since I left Chicago, I'm a lone wolf. I put on the record player and sit and try to play on the guitar. I've got five guitars here and can't play them, but I'm always whompin' around.
My dream was always to play for Brazil.
I always give preference to the script and when it's good, I am game for anything.
I have always said that to manage Brazil I would have to be managing in Brazil first.
I like animal sidekicks. They seem to be a pretty cool trope of post-apocalyptic fiction - just because if you're going to have this lone protagonist, they're going to need someone to talk to. Dogs are overused, and cats are dumb. So that leaves monkeys.
As an artist, I will always give art more importance and preference than pure entertainment.
I've been trying to figure out what moment The Lone Ranger came into our lives. We've always just known about The Lone Ranger. It's common knowledge. I don't ever remember watching the television show.
I've always wanted to play a soldier and I'd never taken on a character where I'm the happy-go-lucky protagonist. I've played a lot of jerks recently.
Every novel deals with social problems. It can't help it because the protagonist must come in conflict with his group. So the author has to offer an analysis of how the group and the protagonist fit. Otherwise, the reader will just say, "This makes no sense," and will put it away.
There used to be a cruel joke that said Brazil is the country of the future, and always will be; Obama is the Brazil of today's politicians. He has obviously achieved nothing.
There's a book that I read, really a great book - it's called 'Lone Survivor' and I think they're trying to make it into a movie. I would love to play Marcus Luttrell, who was the author and the 'lone survivor.' He's a national hero; he's very courageous and heroic in insurmountable danger, so it's something I'd love to explore.
When Brazil lose, someone has to be guilty, and it's always Rivaldo. It's different with Romario. He plays in Brazil, and they love him more. I'm treated like a foreign player.
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