A Quote by Gabriel Mann

Whenever somebody hates you too much it usually means they have deeper feelings for you because nobody bothers to hate you unless they actually feel something. — © Gabriel Mann
Whenever somebody hates you too much it usually means they have deeper feelings for you because nobody bothers to hate you unless they actually feel something.
...the opposite of love is not hate - it's apathy. It's not giving a damn. If somebody hates me, they must "feel" something ... or they couldn't possibly hate. Therefore, there's some way in which I can get to them.
I'm always afraid, because I do most of my stuff at home, where nobody bothers me, and I don't have to stroke somebody's ego or be careful about hurting someone's feelings. But I also want to know that I can still go into the world and be with other people and make music.
It is because nobody has been teaching you about hate; hence, hate has remained pure, unadulterated. When a man hatesyou, you can trust that he hates you.
There is so much to be gained from adulthood! Feelings just become so much deeper. The feeling of sadness and loss is much deeper than when you were a kid, but the feelings of love and happiness have also so much more dimension when you get older... That is what's so hard and exciting about being a human being.
Nobody hates us as ourselves. In their minds we're not human... They don't hate us because we did something or said something. They make us stand for an evil they invent and then they want to kill it in us.
When a ball goes into a net it only means something because we decided it means something. When somebody punches somebody in the face it always means something.
I hate this idea that you have to love somebody because they are your family. Nobody can tell me what I'm supposed to feel and who I am supposed to feel it for.
We've got a Muslim for a president who hates cowboys, hates cowgirls, hates fishing, hates farming, loves gays and we hate him!
I see people having fits because their coffee is too hot or their baked potato is too cold, or some random something is imperfect and somebody can be blamed for it. These people can fly off the handle and nobody says, 'Too much beef will do that to a person.' If it's a vegan: a clear case of alfalfa sprout poisoning.
Nobody is one block of harmony. We are all afraid of something, or feel limited in something. We all need somebody to talk to. It would be good if we talked to each other, not just pitter patter but real talk. We shouldn't be afraid, because most people really like this contact; that you show you are vulnerable makes them free to be vulnerable too. It's so much easier to be together when we drop our masks.
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
You can feel yourself trying too hard, doing too much. Nobody wants to watch somebody when they're needy, and actors are in the unfortunate position of needing to be cast and needing to be liked.
The theater itself is so archaic and old fashioned, that it doesn't really matter to me whether it's on Avenue D or at the Helen Hayes Theater. What's the difference? It's still a very nostalgic form. Also, it means you're knowingly walking into a room where there's actors. I feel it's very embarrassing. Because, you know, they're right there. You always think like, they can see you, and I think it's mortifying, frankly, and I hate to sit near the front, where you feel they actually might see you. It's too ... it's too live.
Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Somebody said that in passing, you know, 'I hate cats.' You know, somebody really hates cats, and I've never figured that one out. And credit to cats - the ability to generate that much animosity, you know.
I know what I as an editor respond to is a voice. A voice is not just a stylistic thing, but it means someone who really has something to say. I think a lot of what I get from books - whether they be books of comics or books of literature - is a window into somebody's mind and their way of thinking. Somehow, I can recognize some of my feelings in seeing somebody who is actually expressing their own inner reality.
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