A Quote by Gabriele Munter

I filled my sketchbook with drawings, very much as any educated girl of my generation might have kept a diary. — © Gabriele Munter
I filled my sketchbook with drawings, very much as any educated girl of my generation might have kept a diary.
I have kept a diary as long as I can remember, and drawings are really another kind of diary.
I always kept a diary - not a diary like, 'Dear Diary, we got up at 5 A.M., and I wore the weird hair again and that white dress! Hi-yeee!' I'd just write.
I sketch while I'm on set, and it's a way for me to record all of the locations I've been to. I don't keep a diary but a sketchbook.
People might think that my queen should be highly educated, beautiful and the best of the best. Jetsun Pema is a kind-hearted girl who is very supportive and whom I can trust. I cannot say how she might appear to the people, but to me, she is the one.
One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or other, I kept drawing - I bought a hyacinth flower with a lot of leaves, just to make me feel like spring.
What would ultimately de-escalate the challenges of society would be for people to get educated, especially for more women to be educated because when more women are educated, they invest much more of their time and income in ensuring that the next generation would perform even more than they have done.
A diary with no drawings of me in it? Where are the torrid fantasies? The romance covers?
My father was a painter, so I was encouraged to take a sketchbook everywhere. Cameras are perishable, but I still have tonnes of sketchbooks from all the trips I've ever been on. It gets you by when you don't know what to give people as a gift; drawings are good souvenirs.
When I first read Anne Frank's 'Diary of a Young Girl,' I saw for the first time that a girl could be a writer and that it had something to do with survival and with ethics and fighting against evil. I admired her, though her diary remained terrifying and mysterious to me. She was a character in a real fairy tale - fairy tales are brutal.
The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn't stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns. Today I'm still as fond of drawings as when I was a kid - and that was a long time ago - but, surprising as it may seem, I never thought about the money I would receive for my drawings. I simply drew them.
I kept a very full diary of my relationship with Nixon, for some strange reason, until he became president.
I was part of the first generation of girls and women to be educated and go to grammar school even if we didn't have much money. Then that generation went, 'OK, great', and went into medicine or the police, and hit this wall of discrimination from older men who hadn't caught up.
When a generation talks just to itself, it becomes more filled with folly than it might have otherwise.
I don't keep a diary and I throw away nearly all the paper I might have kept. I don't keep an archive. There's something worrying about my make-up that I try to leave no trace of myself apart from my plays.
Every generation thinks things are happening that have never happened before. Every generation of people thinks we're in the last days. Every generation's filled with pessimists. But when you have the Millennials generation, a majority of which have never had a job - you might even be able to put the period there: "Have never had a job, period" - or never had a job in a healthy economy.
I kept a diary as a teenager but I never would have shared it with anyone. Still, I think it's very good practice to write things down.
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