A Quote by Gabrielle Carteris
These issues of gender equity and diversity have been ongoing conversations throughout the decades. I remember even when I was just starting in the business in the 1980s. It's not just Hollywood's problem. This is systemic. It's in our country, so what happens in Hollywood is that everything's just magnified because it's out there in the public.
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I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
If you have money draining out of the public equity markets, that inevitably affects the private equity market. They cannot exist going in different directions because somehow that will rent the fabric of the universe. It's just not permitted that that happens. Obviously there can be anomalies for brief periods of time but it just can't happen forever.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
It's lovely that the Hollywood stars are crossing over to Broadway.... There used to be such a dividing line in the country between Hollywood and the theatre and that's just melting away. It's just wonderful right now!
Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.
My focus isn't Hollywood; my focus is using Hollywood as an example. Because what happens here does happen everywhere. It's just a really concentrated and tense version here.
It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
I came out to Hollywood when I was just 18, and my dad, he was really into Hollywood and theater and art, and I guess growing up, he exposed me to a lot of culture, and I just started making Super-8 films in high school and decided I wanted to be a filmmaker.
Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
It's all too common that when we talk about diversity and inclusion, and gender equity in the workplace, it translates to just white women.
Hollywood is still the cradle of many myths, including the one of eternal youth. I find it odd that the very notion of desire, when applied to a woman over 40, is turned into a pathology or a mockery in a number of films. But Hollywood is not the only place to blame, by far. This is just a rendition, possibly magnified by the power of movies, of a general state of things, social, cultural and political.
That's what happens in Hollywood. People are like, 'I want to hate you, because everyone else seems to love you.' But the reality is this: I'm a simple person who's not interested in attention and who just wants to go about her business.
Because I haven't been in a band, I wasn't in that zone. I'm just a mom that needs to pick up her kids from school. I just don't remember what it is you do, what you wear. Even just doing photo sessions where you think, "I just don't remember how to do this."
I read 'Tiger Beat' and 'Bop' from the time I was 9, 10, 11 years old. I loved movies. I saw 'E.T.' seven times. I used to yell at people who called me when 'L.A. Law' was on because they should know better. So I just have been so in love with the business of Hollywood since I can remember.
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