A Quote by Gabrielle Carteris
I'm still working on my speech, but I do a lot of voice-acting work. My agent is the best. I make a good living.
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My life doesn't change. I still have to go out and work hard every day, and do the best that I can do. I'm a third generation Californian, and there's a lot of talented, good-looking guys in California, so I'm just happy to be working, and lucky to be working.
I still wrestle with the catharsis of acting. I don't end up playing a lot of likable characters, so I find myself living in a lot of unlikable skin. As a result of that I don't always feel good.
I put a lot of pressure to keep working. And when I'm not working, my agent books three auditions a day. I'd rather go to the set and work.
You have to make sure that people are still motivated and happy and creatively challenged so that it can all be stitched together. The voice acting starts after a lot of the storyboards are done.
There is a lot of acting that is on the table - precisely, good acting. The best movies of mine are the ones that really nobody saw. The Groomsmen, Playing By Heart and Seeing Other People are by far the work I'm the most proud of.
Directing is a nice job. It's the best job for me. If i had to pay money to do it, I would do itIt's problematical. It's disapointing often. It's very challenging. It's frustrating as hell. It's extremely demanding and totally satisfying work. And if I wasn't doing this, I would have to do legitimate work for a living. There are guys out there really working for a living, cleaning streets or coal mining, teaching. Directing is playing. Acting.
I've been singing since I was a kid, but I take my voice a lot more personally than my acting. I feel a lot more personal criticism when somebody tells you that you don't have a good voice.
Acting means living, it's all I do and all I'm good at. If I weren't getting paid well, I would still be acting in a small troupe somewhere.
Voice work is fun. But about three-quarters of the things you enjoy about acting are just not there. You're not working with another actor; you're not working with an audience. You're just working with a bunch of writers and a microphone. It's very abstract.
To be able to make a good living in a challenging medium like soap operas is great. The best is that I get to act and am rewarded for it. And the people I work with are great. Funny, intelligent, hard working. They're all great to be around.
I feel like a lot of times when you get signed to an agent they just send you everywhere, so I still audition for a lot for voiceover stuff. I actually don't book a lot of it, and I love doing it so I get disappointed because I want to do more voice stuff.
I tried working with the best of directors and producers. I tried being selective, but things didn't work out. Now, I am open to working with anybody and everybody who is good. Or I'll try to make it good. That suits me.
As an actor, you act in order to make a living. Then, when you can make a living, you start acting because you want to do what you love to do. I need to remind myself of that a lot.
I like being on a set where you can make decisions and everything is involved and are happy to work together to make the best work. For me, it's all about making the best work and creative people working together and all being respected and all having their opinions of what gives it the best quality is important.
Social cognitive theory rejects the dichotomous conception of self as agent and self as object. Acting on the environment and acting on oneself entail shifting the perspective of the same agent rather than reifying different selves regulating each other or transforming the self from agent to object
No matter what kind of significance leads you do, you learn a lot from doing schlock. The setup's the same, only you have to work twice as hard to make it the best as you can make it. And a lot of acting is not about acting but technology. Are you standing in your light? Are you out of your light? And if the sound guy's near you, please don't put the coffee cup down at that moment, because you're covering your lines. All of that stuff's going on in your head, so you learn a lot by doing whatever. In my view, never worry that something's not prime - A, number - one stuff.
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