A Quote by Gabrielle Roth

We dance to reclaim our brilliant ability to disappear in something bigger, something safe, a space without a critic or a judge or an analyst. — © Gabrielle Roth
We dance to reclaim our brilliant ability to disappear in something bigger, something safe, a space without a critic or a judge or an analyst.
I know our culture will sometimes understand a love for Jesus as weakness. There is this lie floating around that says I am supposed to be able to do life alone, without any help, without stopping to worship something bigger than myself. But I actually believe there is something bigger than me, and I need for there to be something bigger than me. I need someone to put awe inside me; I need to come second to someone who has everything figured out.
I have nine children. It breaks my heart to think that it might be their blood is needed to redeem something, to reclaim something that we, through our apathy and our indifference, have given away.
The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.
Judge Roberts is a brilliant lawyer, a brilliant judge. He is a very careful judge, a thoughtful judge. I would agree with what the President said earlier. He is a decent man. I think everybody who knows him likes him.
There is something that is much more scarce, something finer far, something rarer than ability. It is the ability to recognize ability. The sternest comment that can be made against employers as a class lies in the fact that men of Ability usually succeed in showing their worth in spite of their employer, and not with his assistance and encouragement.
There is something that is much more scarce, something finer far, something rarer than ability. It is the ability to recognize ability.
We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something last longer than we do.
You have to decide if you want something stable and safe or if you want to take a risk and go outside the formula and try something new. That's everything that dance embodies.
You know something I could really do without? The Space Shuttle. ... It's irresponsible. The last thing we should be doing is sending our grotesquely distorted DNA out into space.
Safe Schools has been labelled a lot of things: Marxism, cultural relativism, 'grooming,' and part of something called the 'rainbow ideology.' But Safe Schools is not about imposing an ideology or an 'ism.' It's about teaching our kids to treat everyone equally, to understand rather than judge.
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
Just as a child, before I ever knew what ballet was, there was something in me where I was always searching for something structured, something that was bigger than me, and something so historical that I could be a part of. I didn't find that until I stepped into the ballet world, and it was overwhelming, the feeling of being a part of something that's bigger than you.
Well, jazz is to me, a complete lifestyle. It's bigger than a word. It's a much bigger force than just something that you can say. It's something that you have to feel. It's something that you have to live.
Consciousness creates the body. Our bodies are made up of dynamic energy systems that are affected by our diets, relationships, heredity, and culture and the interplay of all these factors and activities... We cannot hope to reclaim our bodily wisdom and inherent ability to create health without first understanding the influence of our society on how we think about and care for our bodies.
Music critics are, for the most part, bitter people who are intent at dragging people down for being successful at what they want to do, which is probably music. The oddity of being a critic is: You don't get a diploma, you just decide you're a critic. If someone listens to your opinion rather than their own, it's their mistake. Any critic's top 10, any year, it's something controversial or something that will make them look hipper-than-thou. The whole critic game, we've never played.
Life isn't what you think it is. It's like water, and the young let it trickle away between their fingers without even noticing. Cup your hands, keep it safe. Life eventually becomes something else, something hard, something simple, something you can hold in your hand and nibble on contentedly as you sit in the sun.
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