A Quote by Gabrielle Union

After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
My mother Naseem Bano who was called the first 'Pari Chehra' or beauty queen of the film industry, had taken me to London after she saw me taking fancy to her ghaghra, lipstick and dance to the tunes of her film songs. For her, academics were more important than films.
I love Queen Latifah! Queen Latifah is so beautiful! Every time you see her, if it's in a cosmetics ad, or on the red carpet, she's always flawless.
Isn't Halle Berry the most beautiful woman? I have a film I'd like to be in her with. I mean, I'd like to be with her in.
Hillary Clinton has taken some fire over 40 years of her fight for families and children. How does she do it? That's what I want to know. Where does she get her grit and her grace? Where do any of our female firsts, our pathbreakers, where do they find that strength?
Actresses do glamorous roles, and then, after 10 films, they do an offbeat one. But Alia didn't do that. She picked films like 'Highway' and 'Udta Punjab,' too.
If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'
I'm here to be an actor who wants to be remembered for her roles and her films rather than her looks.
Relationship films are political. If a woman is sitting in a waiting room in an office and a man walks in and sits down, it's a political situation. If he decides to smoke, does he ask her or does he just light up? If he lights up, what does she do? It's politics.
There is a neuron in your brain that will respond only to pictures of Jennifer Aniston - provided you have had prior visual exposure to the actress. That neuron does not respond to pictures of Bill Clinton or Halle Berry. Only Jennifer. I used the story to explain the almost ridiculous plasticity of the organ. There is no such thing as Jennifer Aniston in our evolutionary history - she was born in 1969, for heaven's sake - but we are flexible enough to devote an entire cell to her if we have previously encountered her in some fashion.
There's not enough black films out there. There's not enough Latin films, or films that have an Asian, Indian or Middle Eastern lead. The list goes on and on.
Films with female protagonists don't attract many eyeballs. Most of them are perceived as feminist films. If Bollywood starts giving women major roles in entertaining movies, then the audience, too, will open up to the idea of watching commercial films in which the actresses do more than just play the role of the hero's love interest.
According to me, a film can talk for itself. Like, Aamir Khan does not promote his films on a large scale, but his films work on the box office.
[My favourite are] the films of Agnes Varda, because of her sense of humor and the intimate, personal way she tells her stories. She is brave in taking creative risks, and her curiosity in others is so contagious. This brings me closer to the subjects in her films.
The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
I do not make films which are prescriptive, and I do not make films that are conclusive. You do not walk out of my films with a clear feeling about what is right and wrong. They're ambivalent. You walk away with work to do. My films are a sort of investigation. They ask questions . . .. Sometimes I hear that some [Hollywood] studio is interested in me. Then they discover that this is the guy who works with no script, that there is no casting discussion, no interference, that I have the final cut, and that does it.
This site uses cookies to ensure you get the best experience. More info...
Got it!