A Quote by Gaby Hoffmann

As an actress, vanity is your enemy. If you're thinking about how you look, you're not going to give a good performance. Once I realized, 'Hmm, I guess I'm not that vain,' it's like something I wanted to protect. I can't imagine anyone could give the full dynamic performance they're capable of and still be vain.
I care about being formally physically attractive in my life, and I think that I am quite vain about my performance. I'm just not vain about how I look while I give the performance.
I'm very vain about my performance. I want to give as honest a performance as I can. But I'm not so worried about being regarded as beautiful when I'm playing a character.
Vanity is something that will only get in the way of doing your best work, and ultimately if you're truly vain you care more about your work than how you look in your work. I actually consider myself a pretty vain guy when it comes to that.
The war was about vanity, he said. It was about old men who couldn't look in the mirror anymore and so they sent the young out to die. Was was a get-together of the vain. They wanted it simple--hate your enemy, know nothing of him.
I can imagine Dad joking about how hard it'd be to get an actor to give back when it's hard enough to ask them to give a good performance.
I wanted at one point to act, which is a weird thing for men to want to do. It's a very vain profession. I don't mind women who want to act. That's fine. It's odd that men want to act, in that there's still a degree of vanity associated with it. It's like, "Put on some makeup, make me look good. Okay, now I'm going to roll my shoulder." Part of me still feels like, "Wow, that's weird for a man to do."
Poetry is not a silent art. The poem must perform, unaided, in its reader's head. Educated readers give themselves a good performance. Educated listeners compare performance with text and with other performances. Good poets use the full resources of language.
Once you stop thinking about the minutiae of what each part might mean for your career, you learn that if you do a good performance, it's going to be good for you. The work is what matters.
You don't know being a performer what kind of performance you're going to give. You know you can give a certain quality of performance, but as I grow older I'm much more content in my own skin because when I come offstage, I have a balance in my life.
Anyone who has seen my fights knows I'm going to put on an exciting performance and give you your money's worth.
All is vanity and everybody's vain. Women are terribly vain. So are men - more so, if possible.
In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
So many girls second-think their pose or what they're doing. And, in turn, the photos will come out really unnatural. I say to really give the camera a performance - that, and make sure you're comfortable with how you look, and give it a good smile and a filter.
Look at Joe Morrell's performance against France. He was like 'give me the ball,' he wanted to be the best player on the pitch.
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