Playing dysfunctional characters or crazy characters is only fun if they're well written. So I have been lucky enough to be asked to play crazy people who are very well written.
I understand pain very well, so I look for that in a role. If the characters are well-written, don't tell nobody, but I'll do the damn thing for free. I'm serious. It's the writing. I love beautifully flawed characters.
The script of 'Hum Paanch' was extremely powerful, written by Imtiaz Patel. He has written the characters so well, people got hooked with each of them.
I think it's more fun to grow to love characters who are flawed than it is to present perfect characters. Perfect characters aren't very funny. Certainly my friends are a strange, intense bunch of people, and people's families drive them crazy, but challenging relationships are always more rewarding.
People say, 'Oh, Rick, he's crazy.' Well, I'm crazy, and I'm not crazy... When I went to my high school reunion, I was the only one there doing what he said he was going to do. How crazy is that?
I was very ashamed of seeing a therapist because I thought only crazy people went, and then, after about nine years, I asked him, 'Well, was I really crazy?' And he nodded and said, 'You were but not any more.'
They have this big book called the 'DSM-IV,' you know, that is supposedly written about crazy people, but I think it is a book that is written by crazy people!
I have played several characters that are crabby and cranky. I don't know if I'm just not a very well-developed human being or if I don't know myself very well, but I tend to find I can take on elements of the characters that I'm playing. When I was playing a character like Becky Freeley in Miss Guided found that I was insanely positive and happy all the time.
Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.
I feel very lucky to play these well-rounded characters.
Something like 'Dr. Thirteen,' which features no big characters, was probably the most fun thing I've worked on because the story was so great, and it was written so well.
All the other characters are so well-rounded, and it's just frustrating because female characters aren't. It's not that they're badly written, they're just underwritten. They have no internal monologues; they could be absolutely anyone.
I'm not crazy. I play a lot of crazy characters, but I'm an actor.
Craziness is good. Crazy people are happy, free, they have no hindrance. But since you have many attachment, you are only a little crazy. This is not crazy enough. You must become completely crazy. Then you will understand.
In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
Theater, at the end of the day, is about ideas. It's about very large ideas. And if the play is beautifully written or smartly written and has incredible characters you follow on the journey, you take home these larger ideas. Whether it's 'Angels in America' or 'Lucky Guy' or 'Normal Heart,' you follow this moment-to-moment journey as an audience.
Every year I hear people complain that the quality of screenplays and movies is declining. In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.