A Quote by Gaby Hoffmann
I've been very excited to have children for a long time. It definitely added an interesting twist to the night we screened 'Lyle' at Outfest, and I got up to do the Q&A, and I had this huge belly no one was expecting. It creeped everybody out in the best way.
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Do you know I had the best time on 'Loose Women' and I'm very, very fond of the show still. I know everybody who's on it and it's a great open door to go back if I need to. Everybody on there is lovely and I've got a great relationship with them - the new ones and the old ones. It's been a big part of my life over the years, so it's nice I can nip back. I do miss everybody on it, but we're all on What'sApp, so I know what everybody is up to.
I had to write a comedy set and film a show at the same time. And it's the second time I've been up on stage as a stand-up comedian with untested material. I was saying it out loud for the first time that night. It didn't go how I expected, but in the best possible way.
I had no idea what time I’d left, how I’d gotten home, who’d been up here, and how long he, she, or they had stayed. Another night, added to the hundreds that had gone before, shrouded in mystery. Really, when you thought about it, it was creepy. My own life was a secret to me.
I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time.
I went through a very hairy period. I had a movie where I was going to play Walt Whitman that fell through. At the time, I had grown this huge beard and very long hair. But then, the movie got canceled, I had some other parts, and I currently have very short hair. So, when I look in the mirror, I don't know who I am exactly. It's interesting.
I’m definitely excited to have a fresh start. Talking to the coach [Bob Hartley], talking to management, they want me to have success, and that definitely makes your life easier. It keeps your mind free to just go out there and play as good as you can, instead of worrying about giving up bad goals and having to prove yourself every night – not just to the public, but to the coaching staff and everybody else. That’s definitely a nicer way to feel comfortable, if you know they have your back.
It's my observation that gardeners and gardening for a very long time have had to take a back seat. Architects are very famous; they've got huge projects. What goes on in and around them has been relegated to a very minor role.
To put it in gentleman's terms if you've been out for a night and you're looking for a young lady and you pull one, some weeks they're good looking and some weeks they're not the best. Our performance today would have been not the best looking bird but at least we got her in the taxi. She may not have been the best looking lady we ended up taking home but it was still very pleasant and very nice, so thanks very much and let's have coffee.
Rock of the ages been a really interesting job. It's been exhausting. It's been the hardest thing I've ever done because it's just so big, and I haven't had a lot of time. And I'm just kind of blowing through this. And everybody's, like, happy, and giving thumbs up. Most of the actors have said "this is the best role they've ever had." So you know, that's important to me.
I actually sat down and started three Alexanders at the same time. Two of them went in the trash and got stomped on because I hated the idea so much. And the one I came up with, I got very excited by. And that's 'Alexander, Who's Trying His Best to Be the Best Boy Ever'.
My father had nine children, and when I had my first, he said, 'None of my kids got up in the middle of the night.' And I remember thinking, 'You didn't get up in the middle of the night! Every kid gets up in the middle of the night!'
On Phantom... I listened to the music while I was reading the script. And it had just blown me away. I really... I was so excited about it. It's been a long time since I really got so excited about something.
People ask me, 'Is being a parent the be-all, end-all?' And I say, 'Oh, it definitely is up to the person, and it is difficult, it can be very difficult, and it can be extremely healing.' That's what I have found, that the children are mirrors. Everyone is a mirror, but children especially because they're day and night and all day long.
I think everybody has to be better, right from me out. Everybody has to step up their games for us to be successful here. I've been lucky to be on some good teams over the years and that's what it takes, everybody contributing night after night.
I've been writing for a long time, and I've loved comic books for a long time - forever - but I had to learn how to write in a different way to write sequential art for a graphic novel. It's been an interesting transition.
I absolutely loved it, and I loved the way the character of D'Artagnan had been portrayed. I was just well up for it. So, I went in and met (director) Toby [Haynes], and as soon as I got into that room, to see how excited everybody was to get this underway and onto the set, it just drew me to it, even more. It was an instant attraction, so I was delighted when I got the offer.
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